The beautiful cover Elena at L1 Graphics made for Faebourne is up for an award! Please click over and vote for it. While I usually don’t promote popularity-contest style awards, I truly believe our cover is the best.
The site will require you to make a log-in, but it’s free and I can say (based on experience) that they don’t spam your inbox. Thank you in advance for your support!
I was reading this article, in which six authors answered questions about covers and blurbs, and I thought, Why don’t I answer those questions too? Because, you know, it might be interesting to do so.
How important are covers in terms of selling a book?
Very, I think. My Regency romance Brynnde has sold very well, and it has also won a cover art award. I don’t think the two are unrelated. That said, I love the cover to The Fall and Rise of Peter Stoller, but that didn’t sell as well. I think it’s important that a cover convey the story, and maybe that one was a little too artsy for readers to understand what’s inside the book. I’ve always said a cover is a promise made to the reader, and readers are angry if they feel lied to. So a cover is really important, not only in getting someone to pick up the book—though that is the chief function of the cover, to act as an advertisement—but in accurately reflecting the contents.
Have your publishers asked you for your opinion or “input” on your covers, and to what extent do you think they listened? Did you ever meet with the designer? How important was “marketing” in making decisions about the cover of your book(s)?
I’ve had two publishers thus far; the rest of my work is self-published. One publisher used the cover I’d already had designed. The other had a designer do the cover, but she was in contact with me about it, running things by me. I don’t think we talked about “marketing” at all. Again, it was more about making sure the cover matched the story.
Did you ever receive a cover that made you unhappy and if so, what did you do about it? Did you ultimately end up with a cover that made you happier?
My early covers for my self-published work weren’t terrible, but they weren’t great either. I can’t say I was “unhappy” about them, though. I did a new cover for one, and I’m planning to do a new cover for another one at some point.
How important are blurbs, particularly for a first-time author?
Probably very important! Alas, I’ve never received any, at least not pre-publication. I do manage to get many good pull quotes from reviews after the fact, though, and I do believe they help in continuing to sell the books.
How did you go about getting your blurbs? Did your agent or editor help, or did you rely more on personal connections?
As per above, I don’t really go hunting for blurbs. I probably should, but I wouldn’t even know where to start! Advice, anyone?
Have you ever offered someone else a blurb?
I’ve never been asked. I’d be flattered if someone did ask. Then again, I’m so busy. It might be difficult to find the time to read a book and blurb it. Maybe if the author gave me very early notice.
I wanted to start a new Pinterest board of great book covers, but . . . For whatever reason, I wasn’t finding any I liked enough to pin. Maybe I’m in the wrong frame of mind, or maybe I’m just jaded. Or maybe my tastes run contrary to trends. I tried looking up “best book covers” but those that were pictured just didn’t do it for me.
Looking at my bookshelves now, it occurs to me I do really like the Peter Grant series covers . . . And the Shades of Magic covers are nice, too . . . But nothing is igniting my soul at the moment.
So now I’m asking you to show me your favorite book covers. Tell me what you like about them, too! I know I’ve seen gorgeous covers, so where have they gone and why am I not finding them now?
I’m so excited about the beautiful cover Elena at L1graphics has created for Faebourne! I seriously want to blow it up to poster size and hang it in my office where I can look at it every day. It makes me so happy!
And thank you to everyone who voted and sent me comments on the various cover designs. It seems most of you liked this one best, but I think I would have chosen it regardless. The moment I saw it, I swooned—and that’s the reaction I’m hoping readers will have too!
Without further ado, here it is:
When unassuming Duncan Oliver is kidnapped by the Milne brothers, his usually tame life takes a turn for the bizarre. The Milne family is rumored to carry a peculiar strain of insanity—or could it be true that they have fairy blood in their veins? Either way, the lovely Adelia Milne appears to have cast a spell over Duncan . . . An enchantment that, the longer Duncan stays at Faebourne, the more reluctant he is to break.
I’m getting cover designs for my new Regency romance Faebourne and I need some help narrowing things down. Click here to see and vote. Which of those covers makes you want to pick up the book and read it? Thanks for your input!
(P.S. I know two of the covers look almost exactly alike, but the font and color of the title is different. So if you like one more than the other, let me know that too!)
Well, there’s a ghost. But it’s not a very creepy ghost. I think the second death in the manuscript is creepiest. It happens off the page, and the main character sees it on the news, and I think it’s probably one of the creepiest situations in the book.
Yesterday I started this little list, too. So let’s do five more answers.
6. Favorite place to write.
London? When I can get there. Really, anywhere I can get away. I love retreating in order to write. But I do most of my writing in Little London, which is my home office. You can see a video of it on my Facebook page.
7. Most overused word.
My thesis advisors pointed out that I used “just” a lot. I don’t know if that’s still true; I try to be cognizant of it. I think I use “was” too much. A lot of my revisions and edits involve going back and trying to remove as many of those as possible by replacing them with stronger verbs.
8. Most overused punctuation.
Depends on the genre! When I was writing The Fall and Rise of Peter Stoller, I definitely was fond of my semicolons. When writing young adult, I tend to possibly use exclamation points more than absolutely necessary.
9. Long or short sentences?
Again, depends on genre. My upmarket work has much longer sentences than my YA. Romance is in between. But truly, a good book will have a variety of sentence lengths and structures to keep in interesting.
10. Plain or purple prose?
Fairly plain. I do embroider a bit now and then, but that’s usually because I’m following a character’s thoughts. Thoughts can be complicated!
Rosalind: Makeup. I mean, I’m naturally beautiful, but not this beautiful. Gwendolyn: That’s not really a secret… Rosalind: Hers is Liam. Not that I blame her. Gwendolyn: …
The cover for Fairy Tales and Folklore Reimagined has been revealed! My story “A Good Washing and One Nice Dress” is included. Look for preorders to be up on 10/31 and the book to be released 11/10. (Between the Lines Publishing)
Thank you SO MUCH for helping Brynnde win the weekly Creme de la Cover contest! Thanks to you, she’s now in the finals for the month of April. So I’m begging one more time for votes. Even if you voted before, you can vote again now. Please, please, PLEASE! And then I promise to shut up about it!
If your story was represented by one item, what would it be?
A fox. There is a fox in the story, a pet fox named Aloysius. I think he represents the fun and slyness and oddity of Faebourne.
And here is your friendly reminder to PLEASE vote for Brynnde in the Creme de la Cover contest! We’re neck-and-neck with the next closest book, so every vote is very important. Spread the word! (If Brynnde wins, we’ll celebrate with prizes for two randomly selected newsletter subscribers. Don’t get my newsletter? You can sign up via the button on my Facebook page.)