Nope Book Tag

This is an old one that I only recently heard about, but I decided to do it despite it being old news.

1. A NOPE Ending – A book ending that made you go NOPE either in denial, rage, or simply because the ending was crappy.

I love, love, love Tana French’s In the Woods, but I recall being disappointed that it left many questions unanswered. It’s been long enough since I read it that I can’t remember specifics, but I do have the lingering sense of having wanted more from the ending.

2. A NOPE Protagonist – A main character you dislike and drives you crazy.

I know so many people adore Lila Bard in the Shades of Magic books, but ugh, I can’t like her. She feels like a cliché to me and something of a Mary Sue.

3. A NOPE Series – A series that turned out to be a huge pile of NOPE after you’ve invested all that time and energy on it, or a series you gave up on because it wasn’t worth it anymore.

I read all of Anne Rice’s Vampire Chronicles when I was in high school and college, and I was pretty excited when she went back to writing them a few years ago. But I just could. not. finish. Prince Lestat. So I don’t know if I’ve changed or the writing has become…something… I dunno, but just nope.

4. NOPE Popular Pairing – A ship you don’t support.

You know, I don’t read a lot of the books that prompt this kind of reaction. I guess I do feel like Peter Grant + Beverley Brook is a bit forced, though. That relationship just does not add anything to the stories for me.

And though I know this is a book tag, can I just say that I can’t understand the Sherlock/Molly thing. I just don’t feel that one at all. (Nothing against those who ship it.)

5. NOPE Plot Twist – A plot twist you didn’t see coming or didn’t like.

I didn’t find the unearthing of Gwenllian to benefit the Raven Cycle very much. I don’t know if that counts as a plot twist, per se, but it was a moment that could be plucked out of those books—the character could be, really—and nothing lost.

6. A NOPE Protagonist Action/Decision – A character decision that made you shake your head NOPE.

Bad decisions make great stories, right? But I think pretty much everything Bella Swan did (and I only read the first two books, couldn’t even go on) just felt like NOPE to me.

7. NOPE Genre – A genre you will never read.

While I hesitate to say “never,” I probably won’t ever pick up erotica. Not my thing at all.

8. NOPE Book Format – Book formatting you hate and refuse to buy until it comes out in a different edition.

I don’t *hate* ebooks, but I tend not to read them. I’ve got so many downloaded that I will probably never read because my first inclination is always to reach for a physical book.

Oh, but I DO hate movie/TV tie-in book covers. I won’t buy those.

9. NOPE Trope – A trope that makes you NOPE.

Alpha males. A gruff bad boy that just needs the right woman to soften him. The overprotective type that comes off as controlling. Nope to all that.

10. NOPE Recommendation – A book that is constantly hyped and pushed at you that you simply refuse to read.

Well, to be fair, any time someone says I “have to” see or read something, I’m that much LESS likely to do so. I’m contrary like that. But I don’t care how many people recommend Kristin Hannah’s The Nightingale to me, I’m probably never going to read it. It just doesn’t sound interesting to me. My loss, I guess.

11. NOPE Cliché/Pet Peeve – A cliché or writing pet peeve that always makes you roll your eyes.

Scenes in which two characters are arguing and then suddenly they start kissing. Arguments are not foreplay (at least not for me).

12. NOPE Love Interest – The love interest that isn’t worthy of being one. A character you don’t think should have been a viable love interest.

Pretty much any Sherlock Holmes story that puts Holmes in a relationship (but especially if the relationship is with Irene Adler). I nope right on out of books that do that.

13. NOPE Book – A book that shouldn’t have existed.

Did I mention those new Lestat books? Also, with many apologies to Uncle Stevie, but Dreamcatcher was awful.

14. NOPE Villain – A scary villain/antagonist you would hate to cross and would make you run in the opposite direction.

I know they’re dead, but the Dane twins in A Darker Shade of Magic were pretty damn creepy. I’d definitely avoid them.

15. NOPE Death – A character death that still haunts you.

One Day by David Nicholls. Movie was terrible, but the book made me ugly cry, and that’s very difficult to do if there aren’t animals involved.

16. NOPE Author – An author you had a bad experience reading and have decided to quit.

This is probably going to be somewhat… I don’t want to say “controversial,” because that’s not it, but it’s something I’ll probably get a lot of backlash for. But I don’t read Neil Gaiman anymore. I think he’s a lovely man, and I’ve enjoyed much of his work, but I never could get into American Gods, and I picked up one or two other books now and then, but they just didn’t work for me. And I don’t know if I outgrew him, or if the tone of his work changed, or what. I can’t even say I’ll never read him again. I just haven’t in a long, long time. But I do still admire him as an author.

Books I’ll Probably Never Read Tag

This one is making the rounds, so I’m not 100% sure who to credit for it… Whoever you are, thanks for the blog prompt!

1. A really hyped book you’re not interested in reading.

Just about anything by Kristin Hannah, really. Or Liane Moriarty. I tried one of hers once and could not get into it. There’s something about literary women’s fiction that puts me off. I can’t identify with the characters at all.

2. A series you won’t start/be finishing.

Everything I’ve read about the Court of Thorns and Roses books is just a no for me. I also tried reading The Girl with the Dragon Tattoo and couldn’t get into it, so I won’t continue on that one. Same with the Game of Thrones books. (Yes, okay, A Song of Ice and Fire.)

3. A classic that you’re just not interested in.

Just about anything by Charles Dickens. We had to read Great Expectations in school, and it was excruciating. Though not as bad as Les Misérables. So I won’t read any more Victor Hugo either.

4. Any genres you never read.

I don’t read erotica. Not my thing. Not into westerns or hard sci-fi either.

5. A book on your shelves you’ll probably never actually read.

I’ve had Jonathan Strange & Mr Norrell on my shelf for a long, long time. Watched and loved the television adaptation but will probably never actually heft the book to read it.

90s Kid Book Tag

I wasn’t exactly a “kid” in the 90s. In 1990 I finished eighth grade and started high school. But I still want to try this 90s Kid Book Tag.

The Rules

  1. Please, please, please steal this tag and spread it around! I only ask that you link it back to The Literary Phoenix so that I can see everyone’s answers!
  2. Tag, you’re it! Even if you weren’t a kid in the 90s, so long as you’re old enough to remember the 90s, I want to hear about those memories! And if you do participate, don’t forget to tag someone.
  3. Have fun!

Gotta catch ’em all!

Pokemon was big in the 90s. But we’re here for books. So: Which author do you need every book from? For me it’s Tana French. I received a copy of In the Woods when I was a reviewer for Blogcritics and it hooked me. Even though it took me forever to read The Likeness because I couldn’t immediately forgive French for dumping Rob and going on to another character. Now, though, I understand that’s kind of the point of the series, and I’ve learned to love it.

Ready, AIM . . .

Remember AOL Instant Messenger? How great it was to chat online before mobile phones let us text? What book(s) connected you with your best friend? Anne Rice’s Vampire Chronicles. I can’t even begin to describe how those books affected us. I checked Interview with the Vampire out from the school library (it’s a wonder our school had it) and read it in secret. Guess it’s not a secret now! Sorry, Mom.

Monstrous!

Furbies were all the rage. Well, okay, I didn’t have one, nor did I want one. Bottom line, though, Furbies were demon-possessed robots of pure evil that would go off in the middle of the night at random and never shut up. (I only know this because my children now have them.) In the book world, what book seemed like a good idea but turned out to be, well, a bad one? I have to say, nothing immediately springs to mind. I’ve probably blocked it out. I’ve read plenty of disappointing books in my day. Recently I tried to read The Ghost Orchid by Carol Goodman. I’d enjoyed The Lake of Dead Languages, and the idea behind The Ghost Orchid sounded really intriguing, but I just couldn’t like the characters. I wouldn’t say the book itself was a bad idea, only that it didn’t work for me. I’ll add that I feel that way about pretty much anything written by Roald Dahl, too—his books are supposedly classics, but I’ve never liked any of them.

Bye, Bye, Bye

N’Sync was the big thing. And while we still have Justin Timberlake to entertain us, what book did you hate to say goodbye to? So many! Anything by Zilpha Keatley Snyder for starters, The Changeling in particular. I really identified with that book. Du Maurier’s Rebecca, too, which swept me away.

Barth Burgers

You Can’t Do That on Television ended in 1990, so I guess it still technically counts? On that show, Barth would serve up disgusting meals at a restaurant one had to wonder how it ever stayed open. What book did other people eat up that you just couldn’t stomach? I’ll admit I never tried to read them, but I remember my friends going on about Francesca Lia Block books . . . I also never read Goosebumps or Christopher Pike. I feel like I sort of skipped a layer of reading in my life; I went straight from Judy Blume to Dean Koontz and never looked back.

Kill Me Now

Oregon Trail is something I hear people talk about a lot, but for whatever reason we never played it where I lived. Still, I’m now very familiar with the idea behind the game. What book made you wish you’d died of dysentery? For me, The Scarlet Letter was a real trial. I also don’t at all enjoy Moby-Dick.

On Permanent Rotation

Mix tapes (or CDs) were all the rage. It was the biggest sign of affection to create one for someone. We didn’t have MP3s, after all, so making a tape or CD took real time. And it was a great way to introduce people to your favorite songs or bands. (My husband made me a mix tape when we first started dating, and Marillion’s “Kayleigh” remains one of my favorite songs.) Which three books would you put on your “playlist” by recommending them to anyone, anywhere, anytime? I often find myself recommending Rivers of London (aka Midnight Riot) by Ben Aaronovitch. Also, A Density of Souls by Christopher Rice and The Supernatural Enhancements by Edgar Cantero.

Dialing In

Who can forget the sound of the modem connecting? And how it took forever to connect, often only to be ruined by someone either picking up the phone or calling? What book took ages to read? For me it was Watchers by Dean [R.] Koontz. I loved that book, and I’m a quick reader, but I remember that one took time, maybe because I was savoring it.

Water, Water . . .

In the 90s you couldn’t escape things like Adam Sandler. What book do you feel like you see referenced everywhere and is in everything? The Harry Potter books, of course. Those books have entered the general lexicon. Also Shakespeare.

No Peeking!

Cover your eyes and count to ten. Did you look through your fingers to see which way everyone ran to hide? What book did you read the end of first because you just couldn’t stand the suspense? I’m proud to say I’ve never done this. In fact, I can’t stand the thought of doing it. For me, all the fun in reading a book is in getting to the end.

Red Slice Anyone?

We all have fond memories of old foods and drinks that are no longer with us. I remember drinking Red Slice in the UT cafeteria. What are some of your favorite bookish snacks? I find when I’m reading, weirdly enough I crave bread and butter or toast.

Spooky Mulder

Did you love The X-Files? Did Eugene Tooms or the Flukeman rob you of sleep? (For me it was Brad Dourif in “Beyond the Sea.” Something so much more creepy about a realistic killer.) Name a book that kept you up at night. ‘Salem’s Lot by Stephen King. Remains one of my favorites by him, too.

Mr. Wizard

Like You Can’t Do That on Television, Mr. Wizard’s World didn’t last much beyond the 80s. Still, I learned plenty from him, and from MacGyver, too. Name a book that taught you something new. Though fiction, King and Goddess by Judith Tarr taught me about the female pharaoh Hatshepsut and engendered my interest in ancient history in general. The Memoirs of Cleopatra likewise gave me a deeper vision of that queen’s life.

I hope you enjoyed this book tag. Pretty extensive! Try it yourself if you’re brave enough! Or just tell me about your favorite books in the comments.

Remakes Blogfest

So the point of this blogfest, as conceived of by Alex J. Cavanaugh and Heather M. Gardner, is to blog about a favorite remake. This means movie, song, whatever. Is there any time a remake is as good as—maybe even better?—than the original? Of course, that’s a matter of opinion. So FWIW, here’s mine.

My favorite remakes tend to be songs. Two in particular spring to mind. I really like Sheryl Crow’s cover of Bob Dylan’s “Mississippi.” To be fair, I heard Crow’s version first, so I had no preconceived notions of the song going in. I think we often prefer the first version we see or hear of something because that’s the one that makes the lasting impression. We can appreciate other renditions, but it’s not the same.

The second cover I particularly enjoy is Rob Thomas’ [gasp! you’re so surprised, I know!] version of Smashing Pumpkins’ “1979.”

Here’s the original, which is a great song in its own right:

You can listen to Rob’s version on iTunes here.

I was never into Smashing Pumpkins much, so I think my love of the remake is probably rooted in my love for Rob and his music. Matchbox Twenty did a really haunting version of Fleetwood Mac’s “Never Going Back Again,” too, which I adore. You can listen to that here. Compare it to the relatively upbeat original here. I do really admire artists who can take something and completely transform it.

All Hallows Write

The Rules:

#1 – Provide a BRIEF description of your novel before starting.
#2 – Don’t use the same character for more than 3 answers.

Okay, so here is my brief description of my novel:

Sixteen-year-old Nerissa Dey must do her father’s ghost’s bidding by bringing his murderers to justice.

More of a log line, but whatever.

The Questions:

1. It’s Halloween night! What is your protagonist dressed up as?

Probably something she could just pull out of her closet. She’s not the type to have planned ahead and bought a costume. She might put on a gown and some makeup and be a starlet, or just wear a lot of black and go goth for the night.

2. Who in your cast refuses to dress up and shows up at the Halloween party without a costume?

Well, if that’s an option, probably Nerissa.

3. Which character wears the most outrageous costume, and what would it be?

Nerissa’s mother Ophelia. She loves attention. So she’d definitely be in something slinky and eye catching. Maybe the Queen of Hearts.

4. On Halloween, werewolves, vampires, and zombies are on the prowl. Which of your characters gets caught in their clutches, and which creature do they subsequently turn into?

Poor Gwendolyn. This might be her fate. She’d be a werewolf, but a very cute and sweet one.

5. Who wins the contest for best costume?

Rosalind? Probably Rosalind.

6. Who hands out toothbrushes to the trick and treaters?

This is unintentionally funny (you’ll see why when you read the book). Um, Uncle Eoin. Cuz he sucks.

7. Which two of your characters decide to pair up and do an angel/devil costume together?

Rosalind and Gwendolyn would do this. Rosalind as the devil, of course, and Gwendolyn as the angel.

8. Someone is too scared to even attend the Halloween party. Who is it?

This could also be Gwendolyn.

9. Who overdoses on Halloween candy and ends up sick?

Liam? He’s kind of big and dumb and

10. Which character is most likely to place a curse/hex on someone and who would they curse?

Ophelia (Nissa’s mom) is nasty enough to do it. But I don’t think she’d curse Nerissa since she (Ophelia) is very aware of appearances. So she’d curse Nissa’s best friend Bea, just to get at Nerissa, or possibly to drive them apart.

Your turn! You can grab the rules and questions from this Tumblr page. #AllHallowsWrite

Déjà Vu Blogfest

It’s my solar return today, so I’m out doing fun things like seeing Rogue One and having my annual tarot reading. While I’m out, however, please enjoy this compilation of some of my better posts from this past year, courtesy of DL Hammons’ Déjà Vu Blogfest.

From August 25, a post about the #tenqueries hashtag on Twitter:

An interesting conversation—if Twitter can be said to have conversations—has popped up around the hashtag “tenqueries.” This hashtag is used by agents to go through ten queries in their slush piles and give reasons for requesting material or passing. I used to read #tenqueries regularly, but I stopped when I realized I was getting rather facile information. “This concept has been done to death.” What concept? The one-line reasons for passing on something were not helpful to me without more information. I learn by example. Show me the bad writing so I can see why it’s bad.

Of course they can’t do that. I know they can’t. They can’t share someone’s work and then point out everything wrong with it. That would be like a teacher calling a student up to the front of the classroom and then mocking the way he’s dressed or something. Maybe not mocking. But even if the teacher only pointed out everything wrong with a student’s uniform—why it wasn’t up to the dress code—that student would certainly feel bad. Just as the writer who was made an example of would, even if an example could be made.

It’s a thin line.

In the end, I found #tenqueries to be voyeuristic and not terribly helpful. To sit and wonder if the agent is writing about your manuscript . . . What would be the point? You’ll know if and when you get the rejection (or request), and you’ll still never be sure whether that one tweet was aimed at you. And if you didn’t submit to that agent, what truly useful information are you getting from, “This needs more editing”? WHY does it need more editing? SHOW ME!

That’s my two cents anyway.

From November 4, a post about what I’d learned working with small publishers:

I’m a hybrid author in that I’ve self-published some stuff and had other works published by small publishers. Two different small publishers, to be exact. And now that I’ve had that little bit of experience, I feel I can share some of it with you.

What To Look For

Readers – You want a small publisher that has a [good!] reputation in its genre(s) and has readers who come back for more. That readership is your best chance of being discovered by new eyes.

Marketing – And I mean more than a Facebook post and a tweet. You can do that yourself. When a small publisher makes it a point to stipulate that you will be doing most of the marketing, ask what they plan to do for you. If they say, “Well, we’ll edit your book and give you a cover,” remember that YOU can get those things elsewhere. What you’re looking for is marketing and distribution. If they aren’t offering some kind of marketing, that’s one strike against them.

Distribution – Are any of their books in bookstores? Libraries? These are the next best places for readers to find you. If the publisher is digital/ebook only, will they still try to hold all your rights (print, audio, film, translation), even if they’re not planning to exercise them? I learned this the hard way, so be sure to ask. And get everything in writing.

Brand – This is similar to readership. Is the publisher a known name? Does it have an established brand? How long has it been around? You may be tempted to give a new, up-and-coming publisher a shot (and be grateful when they offer you a shot, too), but remember that many fledgling publishers fail. Which leads us to . . .

Contracts

I’m no lawyer, but based on my experience be sure that the following things are clear in any contract:

Rights – And which of them the publisher plans to exercise. As mentioned above, if they only plan to do the ebook, they shouldn’t be asking for any other rights.

Quotas – Likewise, if your sales are required to reach a certain mark before your book will go into print or audio, that should be clearly stated in the contract.

Reversion – If you and the publisher want to break up, then what? Your contract should stipulate that process by giving you a way to get your rights back. (Note that having to pay a fee to buy back your rights is generally frowned upon by author advocacy groups.)

Timeframes – The publisher shouldn’t be asking to have the book forever. The contract should expire at some point, and the contract should give information on what to do if you want to extend or renew it.

Right of Refusal – This is tricky. A lot of publishers will have a clause about having “first right of refusal” on either your next book and/or any book related to the one you plan to publish with them. There’s a distinction here, and it’s important. I turned down a contract because the publisher wanted first crack at ANYTHING else I wrote. I knew the book I was working on wouldn’t be right for them, and I didn’t want to send it to them. They were unwilling to negotiate the contract, so I declined it. However, it’s pretty standard for a publisher to ask for first shot at any sequels, prequels, etc. to the book they’re offering for. Just remember this means you can’t play with those characters or that world elsewhere until/unless the publisher gives the nod. Or until you get your rights back.

You see that the key is, really, to be sure you have a way to get your book back if the relationship between you and the publisher fails. This is your intellectual property, and it has value! Be sure you have a way to hold on to it!

Red Flags

Social Media – Does the publisher truly engage with followers on social media, or does it just put out links to its books periodically? How many comments, likes, retweets, shares, etc. are they getting? This helps determine whether they have an engaged readership or not.

Too Many Releases – This is a sign the publisher believes the more they put out there, the more money they’ll make. They aren’t giving each book and author the attention it/they deserve. “Author mill” is a term sometimes used to describe this practice. Instead of laying the groundwork for each release, the publisher just tosses a book out into the wild to fend for itself and expects the author to do the work in finding readers. If that’s the case, you might as well publish the book yourself.

Cross-Promoting Authors – When you see a bunch of authors from one publisher cross promoting each others’ books, it’s usually because the publisher encourages them to do so. Problem is, if all these authors are new and don’t have many readers or followers yet, it’s doing no one any good. The idea of authors helping each other is grand, it’s lovely, but it’s not effective at a peer level. You need established authors to help those struggling to come up in the world, and then when you’re established, you return the favor to another newbie. If the publisher doesn’t have any established authors that can help you, you’ll need to go find one. A mentor. Or else try to make it on your own, which can be done, though it’s tough. Bottom line here, however: A bunch of newbie authors trying to help one another is sweet but somewhat useless and your time is better spent elsewise. If your publisher insists you promote one another, they’re giving you bad advice and/or are too cheap and lazy to do any real marketing.

This list is by no means comprehensive. It’s just a starting point based on my experiences. Have anything to add? Any questions? Feel free to share in the comments!

And from November 15, a post about how and why it’s so difficult to reach readers and sell books:

The biggest complaint I hear these days from fellow authors (and I’ve been known to make this complaint as well) is that it’s harder than ever to find readers and sell books. I combine these two seemingly separate moans into one because in order to sell books an author must first find readers. One follows the other and so it’s all really one big problem.

For a while there ads were a big deal. Discounting your book and then running ads on Facebook and via the sites that send out daily deal newsletters would get you a fair number of sales and maybe, on the flip side, some reviews. But as soon as every author cottoned on to that route, readers became numb to all that. They were inundated and learned to block out yet another avenue of marketing.

Look at it from a reader’s perspective. (And hey, as writers many of us are also readers, so this shouldn’t be difficult.) There are a lot of books out there. So many that’s it’s nigh impossible to figure out what you’re going to read. In order to narrow down your choices, you need guidance. Where do you go for that?

  • You ask for recommendations from friends and family.
  • You read reviews on Amazon, Goodreads, whichever book blogs you frequent.
  • You look at Amazon’s “if you like this, then read that” thingy.
  • You go to a bookstore or library and browse for something that looks interesting.

The above is why it’s so important for writers to build a readership AND also have distribution in bookstores and libraries. You need people talking about your book, and you need your book to be under readers’ noses so that they can stumble upon it in places where they’re looking for something to read.

But what if you’re brand spanking new at this and don’t have readers and maybe only have e-books and don’t know how to get in stores ohmygodwe’reallgonnadie. Take a deep breath. Stay with me now. And think about this like a reader.

You see a book online. It doesn’t have many (or any) reviews. You’re not sure you would like it. I mean, it kinda sounds like something you’d enjoy, but you’ve never heard of this author, so . . . You just don’t know. What would it take to “sell” you on the book?

What if it was only 99 cents? Better yet, what if it was free? Hey, nothing to lose there! You could give a free book a try, right?

I know. I know that giving away books means not making any money. BUT. I also know that you’re not going to convince a reader in a world of cheap and free books to shell out $4.99 for someone they’ve never heard of. Maybe they like the sample chapter, but still, they’re going to hesitate.

There are a lot of books out there. Yours are just a few in an ever-growing pile, and if they’re ever going to get selected, you’ve got to make it easy and relatively low-risk to get the reader to pick your books up. That means (1) putting your book under readers’ noses, and (2) pricing it in a way that makes the reader feel they won’t be out anything if they don’t love it.

Think about authors whose books you willingly pay full retail price for. Authors whose books you pre-order and can’t wait to read. Do you even have any? (I only have two or three myself.) You want to become one of those, but to get there, you first have to snag those readers. Give them a book or two at a relatively low price, or even make one permanently free, and once they’re in love with your style, your characters, your writing—then they’ll hopefully happily be willing to pay more for subsequent books.

But you gotta get them first.

And in my experience, this is how.

Or, at least, this is what works at the moment. But the industry is changing so quickly, who knows what will work next month, next week, or tomorrow?

Authors, tell me what works for you. Readers, tell me how you find new books and authors. I want to hear from you!

______________

Honestly, though, I think one of my best posts of the year took place on another blog. Read that post on writing advice here. I also thought this q&a was pretty good.

Hope you enjoyed these, or at least found them informative. And be sure to visit the other blogfest participants!

NaNoWriMo

I know, I know, we haven’t even gotten through Hallowe’en yet and I’m already talking about November. But if you’re planning to participate, it’s time to make plans. Sure, you can just jump in and write, but for those who prefer more structure, I recommend at least making a few notes about whatever project you’d like to work on, if not outright outlining anything.

I haven’t done NaNoWriMo in several years. Because I already write full time (ostensibly, though life often chips away at those writing hours), I haven’t felt the need to devote a particular month to it. But this year I’m going to do it! My goal is to finish this draft of The Great Divide (Changers Book 2). If you want to be my writing buddy, I’m on the NaNo site as mpepper; you should recognize the photo. You can also join this blog hop.

Good luck to all who are participating! May the Muse be with you!

About Gardens

This is for a writing challenge, which you can find here. I’m only looking for general feedback on this nonfiction piece.

What interested me about this topic is that there is a Lenormand card called Garden or The Garden. It’s card number 20.

A little background: Lenormand is a set of 36 cards used for divination. I hesitate to say “similar to Tarot,” because it’s actually very different, but I think that’s the closest association that most people would understand.

So the Garden card is card 20. It signifies society, the public world. It can also mean any social function: a party, networking, group meetings. It is an active card, outgoing.

A selection of Garden Lenormand cards
A selection of Garden Lenormand cards

Lenormand cards are not read singly, so how one reads the Garden card would depend on (a) the question being asked, and (b) the cards surrounding it. For example, if it were to be next to Man or Woman, it might be a socialite, or someone well connected. It might also literally mean a gardener. There’s an amount of intuition required to read cards; if it were a simple equation, everyone could do it and no one would need Tarot (or Lenormand) readers.

Though the Garden card is considered neutral, I’m usually happy to see it in a reading. There’s something cheerful about this card and its tone, something optimistic and encouraging.