An Obscure Author?

Back when I would devour Victoria Holt books, there was another author whose works I likewise snapped up: Sara Hylton. She seems to have quite a bibliography to her name, but at the same time, I’ve never heard anyone talk about her. So I don’t know if she’s less well known, or if I just don’t talk to the right people.

I discovered Hylton’s books when I found The Talisman of Set at the library. It was exactly my kind of thing: an Englishwoman who keeps having dreams of Ancient Egypt and then is given a talisman that connects her to (if I remember correctly, though it’s been a couple decades since I read it) a past life. Oh, I adored that book! Found a copy of it in a thrift store and bought it, and I still have it on my shelf. (Well, we’re moving, so my books are packed, but it will be on my shelf again when we unpack.)

I also have a copy of Easter at the Lakes, which is another book by Hylton I enjoyed. Truth is, I don’t often come across her books in libraries or even used-book stores. Not these days, anyway. When I was younger, our library had a number of books by her that I read, often more than once: Caprice, The Crimson Falcon, The Whispering Glade, Jacintha, The Hills are Eternal… I’d say if you enjoy Victoria Holt and Daphne du Maurier, you’d probably like Sara Hylton’s work as well.

I don’t know much about Hylton herself, but her most recent books seems to have been published almost a decade ago, and she started in the 80s, so she must be older now.

What authors have you enjoyed that you’ve never heard anyone else mention? Are there any you wish more people knew about? Or maybe an author you read years ago that you only recently rediscovered? I’d love to hear all about it!

21st Century Yokel

So I have a YouTube channel now, and I recommend you subscribe to keep up with all the videos because I won’t always be posting them here. The link to the channel itself is on the sidebar to the left. (Scroll down to all my online media buttons.)

I’ll try to get more sophisticated with my recording and editing methods. But for now, enjoy this short video about author Tom Cox’s work. And if you watch long enough, you’ll catch a glimpse of my cat Minerva.

Ways for Non-LGBTQIA+ Authors to Participate in Pride & Diversity

I was fortunate enough to be asked to participate in a roundtable with my fellow authors and led by Stormy Corrin Russell. She’s posted our discussion here. You’ll see me as “ALP” in the conversation. (People who know me personally will know why.)

Come read what I and other great authors have to say about the subject, and please comment and leave your own thoughts too!

Favorite Authors, Influencers—Who makes your list?

I noticed something the other day, and now that I’ve noticed it, I can’t stop noticing it.

There’s a tendency, when asked about our favorite authors, to reach for the big names. The names people will recognize. Is that why we do it? What I mean is, whenever an author is asked something like, “Who do you like to read?” or “Who influences your work?” we go straight to Stephen King or Neil Gaiman or whatever big author applies. I’m as guilty of it as anyone.

But here’s the thing: as indie authors (or, in my case, hybrid), shouldn’t we at least try to include our fellows on that list? Stephen King doesn’t need any exposure, but if we were to mention someone else—another indie author, for example—mightn’t we perhaps cause readers of the article or interview to be curious and go look them up?

I’m not suggesting we do this as a marketing ploy. I want, honestly, to know which indie authors, or lesser-known authors, people read. It’s far more interesting than hearing you, like a billion other people, read Anne Rice or whatever. At the very least, mention a couple big names and follow with a couple smaller ones? (There are no small names, just small authors?)

For starters I’ll say I enjoy Christine Rains‘ work, and D.B. Sieders, and Caroline Warfield. (And, yes, Stephen King and Neil Gaiman and Anne Rice.)

Which indie authors do YOU read?

SFWC 2018: Some Insight

The great thing—well, one of the great things—about this conference was the number of opportunities to talk to industry professionals and gain some insight. In particular, I was trying to figure out what to do with my YA novel Hamlette. I’ve sent it out to some agents, and there have been nibbles, but so far (barring one incident I’d rather not rehash) no real feedback that I could use. Here’s the little bit I have received:

  • One agent was “afraid to fall in love with it” because it was too close to something else on his wish list, and so if he took mine on he wouldn’t be able to take on that dream manuscript if it were to ever cross his desk.
  • One agent said she didn’t have time to read this manuscript but was intrigued by my description of planned follow-up manuscripts and said she’d like to read those if I didn’t find representation.
  • One said she thought it was “a crazy fun concept” but the way the narrator directly addresses the reader didn’t work for her.

That last one gave me pause, of course. She didn’t say, “If you change it, I’d love to see it again,” so I guess it wasn’t a revise and resubmit.

Okay, so I while at the conference I met with Rusty Shelton and asked him whether I should just scrap this blog and my existing author identity and start over. He said no. (I was honestly surprised by this!) He said, “You have a half-built house. Why start over and have to lay a whole new foundation?” When you put it that way . . . He and I brainstormed some ideas that I look forward to putting into practice soon.

Then I met with independent editor Amelia Beamer and poured out my story of woe. She was so kind to listen, and so sympathetic. I told her I just didn’t know whether to keep trying to find an agent for my manuscript, or if I should self-publish it, or maybe just trunk it entirely. I told her about the agent that didn’t like the one aspect of the manuscript. “I’ve received a number of rejections,” I told her, “but none have specified why. Maybe they all hate the direct address and just didn’t bother to tell me?” Amelia pointed out that that could be true. Or not. I could try to change the manuscript for this one agent, but as she didn’t ask for revisions, I should be sure I’d be changing it because I honestly thought it was good advice. (I’m still not sure about that.) Then she told me, “The publishing industry will take your little piglet that you’ve nurtured and turn it into sausage. So be sure you’re okay with that. Else, write something you’d be okay with seeing turned into sausage.” Which I thought was a very good and vivid metaphor.

Next I had a chance to speak with an agent who shall remain nameless. Sufficient to say she’s an agent who only handles children’s and YA. I laid out my dilemma, told her the feedback I’d had from other agents. I wasn’t trying to pitch her so much as understand what wasn’t being said, or what the market might be for my book. She pulled up her email and showed me that she had 11 queries in her inbox referencing Hamlet. In short, Hamlet is overdone. I mentioned that one of the agents (the one with the wish list) had suggested Merry Wives of Windsor, which I have in fact outlined as a potential project. This agent told me that might be a good way to go because it’s a much fresher, lesser-known play. “Sit on the one you have, and maybe it can be published later.” I asked if it would hurt my chances if I self-published this one. She said no, since the books I’m considering writing—these Shakespeare updates—aren’t really a series with the same characters throughout.

So now I’m really trying to decide what to do here. But I least I have a clearer view of my options.

This morning I went to a session about children’s book marketing and was flattered when Penny Warner remembered me. (She’s delightful btw.) She asked me what I was working on and I told her, then also told her what the agent had said about there being too many Hamlets. Naheed Senzai was sitting next to Penny and said, “Find another agent.” Penny pointed out that everyone in the room could write a version of Hamlet and they’d all be different. “Figure out what sets yours apart.” But I don’t know what sets mine apart since I don’t know what those other 11 manuscripts look like! Still, the encouragement was much appreciated.

Other takeaways included the idea that my paperback books should be made by IngramSpark while my ebooks should probably be Kindle exclusive. Many thanks to Penny Sansevieri for that.

I realize much of this relates specifically to me and my project, but it goes to show how key these conferences can be, how important. Here is information I would otherwise not have had. Here is fresh support. Here is new perspective. I still have many decisions to make, but it’s so nice to learn and connect and get a bigger picture. If you are an author and have an opportunity to attend a conference, I highly recommend you do so.

No Questions Asked

Here’s a question for you: Which authors’ books do you buy—preorder, even—without question? You’ll pick up their next book no matter what?

I have three at the moment.

1. Tana French

I love her Dublin Murder Squad series and click “preorder” without hesitation whenever a new one is announced.

2. Ben Aaronovitch

Yeah, the last couple Peter Grant novels were wobbly, but I’ll still read them.

3. Kate Morton

She has a definite formula, but I enjoy her books anyway.

I enjoy a lot of authors on a regular or semi-regular basis, but in most cases I’m still pretty selective. Like, I won’t read every Stephen King novel. And I fizzled out on Neil Gaiman. And I haven’t enjoyed the most recent stuff by Anne Rice.

So which authors inspire your loyalty and why? What is it about their work that you keep coming back to? Let me know in the comments!

P.S. Brynnde is still free, but today is the last day!

Watership Down

I’ve written before about my particular connection to this novel, which is about rabbits in search of a new warren. I read it in sixth grade. I was attending a private school at the time, one so small that the fifth and sixth grades were together in one room, and even still there were only 11 of us.

This was the kind of school where girls wore skirts (though there was no set uniform, just many rules), and each morning we had to kneel to be sure our skirts touched the floor. We had to memorize long passages from the biblical book of Proverbs. We took a character-building class that featured a lot of Zig Ziglar. Physical education for the girls consisted of ballet. Lots and lots of ballet. And cheerleading. I won academic awards in Science and History as well as one for “Thoroughness,” whatever that was supposed to mean. That I did my homework completely? Seriously, no idea.

My classmates liked that I could draw (Garfield and a dog based on the same general idea as Garfield) and asked me to show them how.

And they wondered about this big book I was reading. So one day, as we were sitting outside, I told them the story of Watership Down. They were intrigued and began to call me Hazel-Rah. Then they began adopting rabbit names for themselves, too, until every recess was a game of running up and down the playground hill pretending to be rabbits. The boys were Efrafa and raided our warren and we chased them away, again and again.

The teachers and administration were disturbed. There was nothing really wrong with the game, or the book, but that it had created such furor, and that it was so out of the ordinary . . . bothered them.

The next year I was moved to the public school system. An unmitigated disaster. But later some of those students who’d been in sixth grade with me joined me again in high school. (The private school had suffered some schism in its congregation and been unable to sustain itself.) They remembered me as Hazel-Rah, and I remembered them by their rabbit names, and it felt like a small victory. I had outlasted the place that had condemned me for my broad imagination and my desire to spread it to the masses.

2016 has been a crap year on a number of fronts, but its harshness is most quantified by the long list of famous people who have passed away over these 12 months. Just today we lost Carrie Fisher, but we also lost Richard Adams, author of Watership Down. The Black Rabbit of Inlé has come to fetch him home. May he enjoy green fields and primroses everlasting.

Author Interview: Elizabeth Spencer

Today I’m welcoming Elizabeth Spencer to my blog as part of my ongoing Author Interview series!

PepperWords: Easy stuff first: Who are you and what should we know about you? Where are you from, etc.?

justice_unending_cover_largeElizabeth Spencer: Hi! I’m Elizabeth Spencer, and I’m a bit of a nerd. A nerd who likes to make stuff. So it’s no surprise that I spend a lot of time writing YA fantasy—but also baking, crocheting, sewing, and pretty much anything else that involves making cool things. (I’m currently working through the entire World of Warcraft cookbook!) I also play a lot of video games, particularly RPGs. I live in New England, but I’m a very new transplant and I haven’t really settled in here yet.

PW: I lived in Massachusetts for 12 years myself. Tell us a bit about your writing history. Have you been doing it long? What inspired you to start writing?

ES: I’ve been writing since I was in grade school, but it took me a long time to muster up the courage to try to publish something. I started writing seriously about nine years ago, and wrote five full-length novels before Justice Unending. Justice was the first book that I really made me stop and think, “Wait. What am I doing? This is good. I could query this.” I’m glad I did!

PW: What about this book? What sparked it? What genre is it, and what draws you to that particular genre?


Justice Unending is an action-adventure-style YA fantasy with some light steampunk elements to it—so while there are corsets and trains and at least one giant steam-powered laboratory, the story’s main focus is an insular group of bodiless immortals and the conflicts between them and the people they possess.

Justice was the product of this persistent, half-formed idea that haunted me for most of a year, where I wanted to write some kind of fantasy about people marked with tattoo-like symbols on their body that gave them certain magical powers. But that wasn’t an idea as much as it was a magic system, and I had no idea what kind of story should go with it. I was on a long plane ride when it finally all came together—what if these people were possessed by some sort of spirit, and the symbols on their bodies were the marks of whoever was inside them? And, hey! I love Victoriana and steampunk, but I hadn’t actually written anything but high fantasy. So why couldn’t I throw in some corsets and big hats in this one? By the time that plane landed, I had the setting, the main conflict, and most of the main plot points and characters worked out.

PW: Oh my God, I am so in! This book sounds amazing. Okay, in Hollywood we write log lines for scripts—one sentence that sums up the story, a bit like the write up in TV Guide. For example, the log line for Back to the Future might read: “A teenager gets sent back to 1955 where he must contrive to get his parents to fall in love else risk never being born.” What would the log line for your book be?

ES: A teenage girl is possessed by the spirit of an ancient assassin who wants to use her body to take down the kingdom—and to right an ancient and terrible crime.

PW: And if you were casting your book as a movie, are there any particular actors you’d envision as your main characters?

ES: Is… is this the time to admit that I don’t watch a lot of movies?

PW: LOL! Fair enough. What are some of your favorite books? Favorite authors?

ES: Ahhh, I can never pick a favorite! The Seraphina books by Rachel Hartman are some of the best YA books I’ve read in the last few years, and Catherynne Valente’s Fairyland books are my new favorite MG series. But Patricia McKillip will probably always be my favorite author, though—I started reading her books when I was very tiny, and read all of her books throughout my teens and early twenties. She’s probably the reason I became so determined to write my own books.

PW: What are you currently reading? What’s on your TBR list?

ES: I just started on the first Mistborn novel! It’s amazing, and there are tons of them, and I can already tell that this is going to be a series I’m going to be reading for a very long time. I also want to check out Martha Wells’s Ile-Rien books, if only because I have been completely obsessed with her Raksura series, and the next one doesn’t come out until mid-2017.

PW: Tell us about your writing process. Is it very structured? Do you have a favorite place to sit and write, or a favorite food or drink while writing?

ES: I’m definitely a plotter! But recently, I’ve found that something halfway between plotting it and winging it seems to work best for me. I go into my first drafts with about four or five major plot points and a lot of world building—I like to have my world, characters, and magic systems figured out in advance. But then I just loosely follow the outline, point my characters toward the next big plot point, and see if I actually end up there. When I hit the end of a writing day I’ll write a quick “mini-outline” of the plot points that feel like they should happen next, and then use that as a guide the next day.

I write in a seldom-used guest room that I’ve crammed a desk into. I’m a bit ritualistic about it—that room is only for writing, and the internet is only for accessing my files and doing research. There are very few distractions in there, except a bunch of warm blankets and a pair of speakers for background music. Alas, while I’d like to say my writing drink is “hot chocolate,” if I make some before I write I’ll forget about it until it’s ice cold. I just wait until I’m done to treat myself now.

PW: How long does it take you to write a book? How do you know a manuscript is ready to send out to agents and publishers?

ES: I am extremely neurotic about tracking how much I write—I have an Excel spreadsheet that tallies up my totals by day, week, month, and story. So I can say with complete confidence that it takes me 4-5 months to write a first draft, about two to do the first edit, and however many more months it takes to drum up some beta readers and work through their changes. Thus far I average about a year to a year-and-a-half from starting to being query-ready.

Justice was a bit of a mess, though. I started querying it before it was ready and had to stop, get some new betas, and rewrite some of the story before I tried again. The first version I queried was only proofed by me and my beta friend who reads everything I do. And while they’re a fantastic reader, I needed the cold, hard, dispassionate gaze of a perfect stranger to figure out which things really weren’t working. After getting three new betas and rewriting the first fourth of the story, Justice was finally ready to go. That took nearly two years. Goodness!

PW: I’m a slow writer myself, which agonizes me since so many people say you should put out several books a year. How did you get the publisher for this book? How long did it take, and how many queries or submissions did you send out?

ES: I queried 30ish agents, stopped, then rewrote. Then I queried 93 agents over the span of (again—crazy detailed Excel spreadsheet here) 10 months. That resulted in 5 full requests and 1 partial, but no one ultimately offered me representation. And while that was very disappointing, I knew by the end of it that I probably had something special if I was getting this much interest.

I later submitted it to nine publishers and got two full requests and two contract offers. That took another 10 months—although most of that time was spent trying to get my first contract offer to work out, and then having to hunt down and negotiate a second one. But this is my first published novel. Now that I know the ropes, I hope the next ones will go faster!

PW: I’ve had similar experiences in querying and submitting. It does (usually) go faster once you get the hang of it. That said, never a good idea to rush it, right? What are you working on now?

ES: A YA high fantasy about an impenetrable fortress in the middle of the ocean that is said to be home of the gods—until a ship full of starving and half-dead children crash-land on the shore, bearing a curse that’s slowly killing them. I’m about 85K into it and am hoping to be done with the first draft by the end of the month.

PW: Yow, sounds intense. What advice would you give to young writers, or writers who are only just starting out?

ES: Start a writing habit. Don’t worry about being good. Don’t worry about publishing or getting an agent. Worry about establishing a habit where you write on a schedule—whether it’s every day, 3 times a week, or whatever makes sense for your schedule. Then learn how to finish projects reliably and on a decent timeline. It took me wayyyyy too long to learn that it didn’t matter how good my writing was or how interesting my ideas were if I was unable to finish a first draft in a reasonable amount of time—or if I never did at all.

PW: Where do you see yourself in five years?

ES: I’m hoping I’ll get an agent sometime in the next five years. Fingers crossed! But even if I don’t, I intend to keep publishing books. It took me a long time to decide to publish something. Now I need to get my butt in gear and actually start building a library!

PW: Now a little about you in general. Favorite quote or inspirational saying:

ES: I’ve always been fond of “A goal without a plan is just a wish.”

PW: I’ve never heard that one, but I really relate.

Favorite color:

ES: Plum-colored purple!

PW: Favorite TV show:

ES: Is this a bad time to say I don’t really watch TV, either? Uh. Can I do my favorite video game?! I’m a diehard fan of the Castlevania series (before they rebooted it with the Lords of Shadow spinoff), and while Symphony of the Night is probably the best game in the series, my favorite story (and cast of characters) will always be Aria of Sorrow.

PW: Works for me! (I know nothing about video games except what my kids and husband try to explain to me.)

Favorite movie:

ES: I’m not sure I have one! I’ve enjoyed a bunch, but claiming a “favorite” seems like a pretty big burden. And I’m not sure I’m ready to make that sort of commitment.

PW: Someone (living, dead, or fictional) you’d like to meet:

ES: It’d be so lovely to have a chance to talk to Tolkien about how he came up with his ideas and built his worlds. World building and linguistics fascinate me!

PW: And last but certainly not least, where can we find you and your book?

ES: My website is at, and you can find Justice Unending on Amazon and the Evernight Teen website!


Within the walls of the Bastion, it’s an honor to become a host for an Unending—the bodiless, immortal spirits who rule the country.

But for Faye, it meant her sister would have to die.

When Faye sneaks into the Mother Duchess’s manor, she just wanted to see her sister one last time. Instead, Faye finds a manor in chaos, a murdered man, and an Unending assassin named Aris who needs a new body—Faye’s body—to bring the Bastion to its knees.

Now Faye’s harboring the Bastion’s most wanted criminal. And if she wants to live, she’ll have to escape the Duchess and her immortals, all while keeping Aris from harming anyone else.

There’s just one problem—Aris is not the villain. And now Faye is the only one who can help her stop the Duchess before anyone else—and especially Faye—has to die for the Unendings’ whims.


Trays rattled. A half dozen women gasped. Justine was on her knees and forearms, her head inches away from the tiles. Her fingers clawed at the grout.

It happened so quickly Faye was left standing with her hand in the air. She dropped to her knees and put an arm gently on her sister’s back, her voice shaking so hard she had to force herself not to yell, “Why didn’t you say you felt this bad?”

“I—” Justine croaked. She clenched her eyelids shut, clamped her arms against her chest, and bent over herself, folding her body into a tight ball of pain.

The maids crushed around them. Olivia crowded up behind Faye, sounding worried. “We’ll have to carry her to her room. Two or three of us can do it. Faye, tell your father—”

“No,” Justine whispered. “No.”

Faye watched Justine’s back rise and fall with every unsteady breath. “Oh. Oh. Me? You want me.”

“What?” Faye asked.

“I can’t… I’m sorry. Please, one moment… I…”


Justine didn’t answer. Slowly, unsteadily, she pushed herself up to her knees. She was still shaking as she pulled her arms away from the curve of her stomach, lifted them, and showed their backs to her sister.

Thin black sigils ran all the way down her arms, spiraling and looping from her knuckles to her elbows. They looked like stylized flames.

Those were the sigils of an Unending.

Faye stiffened. The maids sucked in a collective gasp of surprise. Only Olivia managed to croak, “Whose are they?”

Justine stared at her own hands like they belonged to someone else and cocked her head to the side, as if listening to a voice only she could hear. “Belisama.” She paused a moment, dreamlike. “The Mother’s guard? I would imagine that she’d choose someone big, someone strong, someone who can…” She fluttered her eyes weakly, and it sent tears sliding down her cheeks. “I am admirably responsible? Duty? Is that enough?”

Faye wished Justine would stop talking. Her sister did not ramble. Her sister was proper and well spoken, and this … this was terribly, desperately wrong. Faye stared at the sigils as her stomach shuddered like a pot in rolling boil.

Justine pulled herself away from Faye as she rose to her feet. Olivia offered her a shoulder, and Justine leaned against it before she tried to speak again. “We need to send a message to the Mother Duchess. I’ll have to go there, talk with her, be Fixed.” Her eyes widened, as if she only then realized what she was saying. “I have to tell Mother and Father. I have to get my things in order. I have to make sure the maids know what to do. I…”

No one said anything, even as Justine trailed off into silence. The maids looked at her achingly. Olivia shot Faye a concerned glance, then gently took Justine by the arm. “Come, miss. Let’s tell your parents the news.”

Faye tried to breathe and choked on a sob. No one seemed to notice. The maids stepped around her, their skirts rustling against the tiles as they followed into the hall, leaving the half-finished dinner still bubbling and popping on the stoves.

Faye couldn’t move. She was trembling, she realized, trembling so hard her fingers were numb. Her brain looped wildly, madly, hysterically through a pair of awful, unbearable thoughts.

Her sister had been chosen by an Unending. Her sister was going to die.

Buy Links:

Evernight Teen:


About the Author:

Elizabeth Spencer is a YA fantasy author who writes action-packed adventures about magic, mystery, and very brave women. She also writes steampunk, although that’s mostly because she really, really loves big hats. Her first novel, Justice Unending, was released by Evernight Teen in November 2016. She otherwise has a very normal job as a professional editor and project manager. She lives in New England with her husband and an extremely fluffy cat.

Author Interview: Sarai Henderson

Today I’m welcoming Sarai Henderson to my blog as part of my ongoing Author Interview series!

PepperWords: Easy stuff first: Who are you and what should we know about you? Where are you from, etc.?

hunter-evernightpublishing-2016-ebookSarai Henderson: My name is Sarai Henderson. I live in Oregon, in a small town south of Portland. I’m the mother of three young boys who keep me busy and the author of HUNTER, a YA urban fantasy/paranomral about bounty hunter telepaths who work for a ruthless telepath faction.

PW: Tell us a bit about your writing history. Have you been doing it long? What inspired you to start writing?

SH: My writing started after my ballet career suddenly ended when I was 18. I had always enjoyed writing when I was young, but didn’t truly come to life until that was all that was left. I wrote my first novel in my early twenties (House of Chaos) but didn’t publish it until this year, 2016. After I had my third son, I decided to write Hunter, my most recent novel and my first to be published. It took me a year of lunch breaks from work and a Twitter pitch party to land my publisher, Evernight Teen.

PW: ET is the publisher of my YA novel Manifesting Destiny! What about this book? What sparked it? What genre is it, and what draws you to that particular genre?

SH: Hunter is a YA urban fantasy/paranormal. I love urban fantasy because I can describe the world around me, so people can see what I love and hate about places I’ve been. In Hunter, I describe how the rain falls here in the NW. Its something I actually love, but I let my main character in the book loathe it. I wanted her to portray misery in that moment and the rain really helps with that (even though it truly is a beautiful thing).

PW: Nice use of imagery and symbolism. In Hollywood we write log lines for scripts—one sentence that sums up the story, a bit like the write up in TV Guide. For example, the log line for Back to the Future might read: “A teenager gets sent back to 1955 where he must contrive to get his parents to fall in love else risk never being born.” What would the log line for your book be?

SH: Sixteen-year-old Hunter is stuck between her telepath world and the strong arm of the government where she must choose between trust and loyalty.

PW: And if you were casting your book as a movie, are there any particular actors you’d envision as your main characters?

SH: I’ve always loved Emma Stone and her big eyes. She would be a perfect Hunter and I think I would make Chris Pratt Seeker. He has the big brother kind of vibe that Seeker is known for.

PW: I love Chris Pratt, would watch him in just about anything.

What are some of your favorite books? Favorite authors?

SH: I’m a huge fan of Garth Nix and his Old Kingdom series. He was what drew me to epic fantasy, magic and the paranormal. Everything he writes is unique and creative. He is my favorite author.

PW: What are you currently reading? What’s on your TBR list?

SH: I’m reading Allegient right now, finishing up the series before I see the last movie. I’m also working through the Wheel of Time series by Robert Jordan. I’ve been reading those books for 10 years now and I’m only on Book 4. That’s some deep stuff.

PW: I read the first couple Wheel of Time books but felt overwhelmed, not up to the task. I think it takes a special kind of person to be able to read something so densely, lushly written. I stand in awe of Jordan’s world building, and in awe of you for attempting to read it!

Tell us about your writing process. Is it very structured? Do you have a favorite place to sit and write, or a favorite food or drink while writing?

SH: My process is pretty much word vomit. I sit in my car on my lunch break from work and write until my hand cramps. I can usually come up with a pretty good plot in my first draft that needs some small tweaking in the next draft. Its worked for me so far.

PW: How long does it take you to write a book? How do you know a manuscript is ready to send out to agents and publishers?

SH: My first draft takes me about a month and a half, but the following drafts can take me another six months or so. I usually consider a novel done when I can’t stand reading it any longer.

PW: How did you get the publisher for this book? How long did it take, and how many queries or submissions did you send out?

SH: This book was unusual when it came to the submission process. I finished it just in time to participate in Pit2Pub, a Twitter pitch party by Kristin D. Van Risseghem. My first 40-character pitch received eight requests, one of them happened to be my current publisher, Evernight Teen. I was researching all the publishers that had shown interest in my novel when I got a message on Twitter from Evernight Teen saying that they were really interested in my novel and how much they wanted me to submit to them, so I did. They were the second query I made with this new manuscript. A few months later, Hunter was published.

PW: I had a similar experience with Manifesting Destiny. What are you working on now?

SH: Right now, I’m working on the sequel to Hunter called Seeker. It’s going to be telepaths against telepaths with a new threat and blast from Hunter’s past. Who knows what will happen? Well, I guess I do 🙂

PW: What advice would you give to young writers, or writers who are only just starting out?

SH: Don’t give up. I spent several years trying to publish my first manuscript and only two tries to publish my second. Anything can happen. You never know.

PW: Good advice. Seems like if the first book doesn’t sell, write something else and try again.

Where do you see yourself in five years?

SH: I dream big and want to have my Hunter series turned into a movie, but in reality, I think I’ll have my current series done and started on another. Hopefully, a little better known than I am now.

PW: I’ve been trying to get one of my novels turned into a movie for over three years now, but the industry is a tough nut to crack. Good luck with your work!

Now a little about you in general. Favorite quote or inspirational saying:

SH: My favorite quote is from the movie ThorL “You want me to put down the hammer?” I use it for everything. “You want me to put down the tuna sandwich… Laundry… Three-year-old child.” It works for everything….

PW: Ha! Love it! Favorite color:

SH: Orange!

PW: Favorite TV show:

SH: The Walking Dead

PW: Favorite movie:

SH: Fifth Element… Lelu Dallas, multi pass.

PW: Oh my God, we say that around our house all the time! Okay, someone (living, dead, or fictional) you’d like to meet:

SH: My favorite Chrises: Pratt, Evans, Hemsworth, Pine.

PW: Good taste! And last but certainly not least, where can we find you and your book?



Sixteen-year-old Hunter belongs to the Telepathic Alliance for the Latent or Newly manifested, otherwise known as Talon, a bounty hunter community known for their ruthless tactics. Her latest mission in San Diego was supposed to be a piece of cake, but when the job takes a treacherous and deadly turn, not even her telepathic abilities could have warned her of the dangers lurking around the corner.

There is only one place for Hunter to go, and that is straight into the hands of the government and their Psychic Intelligence Team, but even the “Normal” world isn’t safe. With each passing hour throwing her deeper into the game of life and death, Hunter must decide who to trust before this mission becomes her last.

Buy Links:

saraihendersonAbout the Author:

Sarai Henderson is a retired ballerina from Oregon City, Oregon, where she spends most her time chasing down her three rambunctious boys and writing on her lunch break at work. She enjoys DIY projects, Photography and writing on her blog about life as a mother of an autistic son. Find her online at or on Twitter @Shendersonbooks.

InD’Scribe Wrap-Up

On Saturday—the last full day of InD’Scribe—I went and had breakfast with a bunch of amazing authors. I still can’t believe they let me sit with them, and then they even talked to me! The breakfast was hosted by Kathryn Le Veque, and I sat across from Anna Markland and next to Rebecca Forster, and Susan Tisdale was one over on my right . . . There were a lot of others, too, and it was great fun.

Still not a ton of traffic from readers in the author room, but I was very excited when a school librarian, on the search for YA titles for her library, stopped and bought a copy of Manifesting Destiny. I hope her students love it! I also had a chance to chat a little with the amazing Anne Perry and get a book signed by her.

I did my second panel, too, with Debra Holland and Elizabeth Essex. That one was about building character and how important well-rounded characters are in books. Someone working for the conference came and took pictures of that panel, but I haven’t been able to find them online yet. Wish I could post one!

Saturday evening were the RONE awards. Two of my new friends—D.B. Sieders and Caroline Warfield—won in their categories! I was so happy for them! Made me think I was living in The K-Pro and bringing a little good luck to people. 😉

Afterwards we ate and danced, but I turned in a bit early because the weekend had exhausted me. I had to say goodbye to many of my new friends who were leaving the next morning, but thanks to Facebook, Twitter, and the like we’ll be able to stay in touch. And hopefully all be back at InD’Scribe next year!

Authors, I can’t say enough good things about this conference. If you can make it there next year (October 12-15), go! It’s such a supportive and welcoming group. These ladies gave me a chance and a voice when no one else would. They didn’t look at me and see a nobody. They saw me as somebody with worth, someone to be encouraged and guided. I found my tribe! The InD’Scribe Tribe!