My First Podcast

I just participated in a workshopping of a 10-minute play as part of the Ten Minute Play Workshop, and the workshop was audio recorded for podcast. I’ve never been part of a podcast before. (Yes, I realize for many of you it is a routine way of life, but not for me.) As someone who can’t stand to hear or see recording of herself, I doubt I could make myself listen to it, but for friends interested in (a) playwriting, (b) theatre in general, and/or (c) what I sound like here is the link. (There is also a blog write-up if you don’t want to listen.)

W4WS (Writers for Writers) & The Letter “M”

W4W-1

I’m honored to be one of the featured authors for W4WS. If you’re here to grab some Tweets or Facebook statuses to share, there is a selection of them below. Some are for my contemporary fantasy novel The K-Pro and some are for my novella St. Peter in Chains (which has been my A–Z theme for April). Thank you so much, fellow authors, for your support!

TWEETS FOR K-PRO

What can the girl who makes dreams come true give the man who has everything? THE K-PRO paperback & ebook: http://tinyurl.com/cdlnrgv #W4WS

Should Andra let sleeping gods lie? Or take a chance on setting one free? THE K-PRO #fantasy paperback & ebook http://tinyurl.com/cdlnrgv #W4WS

What David doesn’t know can hurt him . . . And others. THE K-PRO #fantasy ebook only 99 cents this week! http://tinyurl.com/cdlnrgv #W4WS

TWEETS FOR ST. PETER IN CHAINS

Intelligence agent Peter Stoller falls in love and faces the consequences. ST PETER IN CHAINS ebook http://tinyurl.com/cmht8nw #W4WS

It’s “Mad Men” meets John le Carre: ST PETER IN CHAINS ebook http://tinyurl.com/cmht8nw #W4WS

The screenplay won an award. Now read the novella: ST PETER IN CHAINS http://tinyurl.com/cmht8nw And look for the sequel in June! #W4WS

FACEBOOK STATUS UPDATES FOR THE K-PRO

Greek and Roman gods in human form infiltrate a modern-day movie set in this twist on the traditional fairy godmother/genie story. Beta readers likened it to “Neil Gaiman for girls.” THE K-PRO by M Pepper Langlinais. Read the first chapter free at http://thekpro.com – @Writers4Writers

Praise for THE K-PRO by M Pepper Langlinais: “A charming, well-written, well-plotted book” & “the characters are easy to fall in love with.” Visit M’s site at http://pepperwords.com for more! @Writers4Writers

FACEBOOK STATUS UPDATES FOR ST. PETER IN CHAINS

No one has ever made an impact on Peter’s heart the way Charles does. But what will be the ultimate cost? As an Intelligence agent, Peter’s work is sensitive—and secret. So when Charles is accused of espionage, Peter must decide whether to let his heart or head lead him. Read the novella from which the award-winning screenplay was adapted: ST PETER IN CHAINS by M Pepper Langlinais: http://tinyurl.com/cmht8nw And look for the sequel coming in June! @Writers4Writers

You’ve been reading their A–Z travel adventures on PepperWords.com. Now see how they met and fell in love. Just 99 cents on Amazon this week! ST PETER IN CHAINS by M Pepper Langlinais: http://tinyurl.com/cmht8nw And then be ready for the sequel in June! @Writers4Writers

Grab ’em and go! And thanks again!

Oh, and THE E-BOOK VERSION OF K-PRO & ST. PETER IN CHAINS ARE 99 CENTS ON AMAZON THROUGH FRIDAY!

Sherlock’s Daughter

If I ever write an autobiography, I think that’s what I’ll call it. My dad is brilliant (in a literal, high-IQ kind of way), but then again he’s worked for the government and he’s not all that ambitious so maybe he’s more of a Mycroft. But my dad is also the one who instilled a love of Holmes in me from a young age, so I associate him more with Sherlock Holmes than anything else. And I’m a daddy’s girl, an only child, but he only wanted one, and he wanted a daughter. It’s nice to grow up knowing you’re wanted.

Really, though, I had originally considered using Sherlock’s Daughter for the title of my next novel, then discarded the idea because it’s not a Sherlock Holmes story (sorry to fans of my Holmes works, there will be more of that to come, I promise) and I didn’t want to mislead readers. So the novel in question then briefly had the title of The Handler, but that was too generic. I might call it Pretend You Love Me.

But first I must finish these edits to The K-Pro; I’ll be holed up all weekend working on it. Not tonight, though, because I’m off to see Eddie Izzard perform some new material.

And completely unrelated, but: Stage 32 did a little write-up about Table Read My Screenplay. St. Peter in Chains gets its read at Sundance on the 25th, at the Waldorf Astoria.

Twitter Makes You Boring

I’ve come to the conclusion people were far more interesting before Twitter and Facebook allowed me to know every little thing they think and do. Take for example Neil Gaiman. I used to read his online blog/journal each day, always hoping for an update. And then he was on Twitter, so of course I had to follow him. And “like” him on Facebook. And then I quit going to his online site because I really didn’t have any reason to. And I began only skimming his tweets and mostly scrolling past his Facebook posts . . . Because suddenly he was everywhere and yet somehow not all that engaging.

Here is where celebrity breaks down, I think. The more access we have to “personalities” the more they become just people. Which is what most celebrities have said they want. “I’m just a regular guy!” But when we start seeing past them and through them, when they no longer get quite as much focus because the attention becomes diffuse . . .

True, some of them recoil at having to interact with the unwashed masses. (These are the ones who refuse to respond to fans—but then why have social media at all? Except a manager told them they should.) Still others panic and scramble, trying to stay in the spotlight. But the more they stay in our faces, the less we care. The truth is, no one has something interesting and profound to say every minute of every day. Not even the Dalai Lama. This celebrity idea of giving the world more of you (because that’s what the world professes to want, or it’s what the actor/author/singer likes to think the world wants) ends up backfiring. There IS too much of a good thing.

It’s important for anyone, celebrity or not, to cultivate the art of only speaking when one is sure, and when one has something truly useful and interesting to say. People learn to listen more closely when they know at least 90% of what exits your mouth will be relevant, or at the very least entertaining.

So don’t tweet and retweet every little thought that crosses your mind. And don’t post on Facebook something about stubbing your toe. Save all that up for a good blog post or something. Make it compelling in a way everyday life seldom is.

I’ve since quit following Neil on Twitter, and I’ve found this has caused me to begin visiting his online journal again; I check it once or twice a week. Suddenly he’s far more interesting again. Quality versus quantity and all that.

Star Trek via South Park

So earlier today I saw something posted about the second Star Trek movie’s title being Star Trek: Into Darkness. I don’t know if this is true, or official, or whatever. But what I thought at the time was, Isn’t space dark anyway? Mostly? In fact, that’s almost exactly what I posted on Twitter, too, and Scott answered: “Mostly . . .”

If you don’t get it, you probably don’t watch South Park, or at least not the older episodes. My rejoinder was from a different South Park episode, the [in]famous Towlie one about the Okama GameSphere. I added: “If only the Star Trek movie were going to be about THAT!” And Scott pointed out that it might at least make a good ST:TNG Season 8 synopsis. (If you haven’t read these on Twitter, you should absolutely go look up @TNG-S8; they are fucking hilarious.) “Wesley trying to retrieve his gaming console from aliens,” tweeted Scott.

But I decided to go a bit further. Here are some of my Star Trek: The Next Generation Season 8 plot loglines, as filtered through “video gaming” as the device.

Troi attempts to empathize with a group of teenagers devoted to video games; the replicators become jammed while overproducing towels.

Tempers flare when the Enterprise’s gaming network goes down for maintenance; Picard teaches Wesley to parallel park the ship.

Q thrusts the crew into a video game they must win to escape; the Orion asks to borrow some tools then refuses to return them.

Wesley & Barclay go head-to-head in a video game tourney; Geordie can’t find his towel because people keep sitting on it.

And my personal favorite:

Wesley teaches Worf to play Okama GameSphere but creates a monster; Data’s cat Spot gets stuck under the ship’s gas pedal.

Anyone want to chime in?

Pictures (but not here)

I love taking pictures, and not only of myself (though I am a ham). I inherited this particular joy from my father, who is an amateur photographer in his own right.

Anyway, I’ve found that Tumblr is a nice venue for posting pictures, and since I wasn’t sure what I might do with a Tumblr site, this is what I’ve settled on. Every day or so I post a photo from my archives. A lot of them are from the same time and place because I tend to take a lot of pictures when I’m out anywhere interesting. A few of the pictures might be things I’ve stumbled across online and saved because I liked them.

I’ll still post the occasional announcement or thought over there, too. But it will be mostly pictures. For the curious: this is the place.

Coming Soon

You might notice it over in the sidebar, but in case you don’t have the energy to scroll down: It will be a free e-story, written in the Doyle style, meaning it’s set in Holmes’ original era and told from the point of view of Dr Watson. It’s being formatted now; I’ll certainly let you know when it’s available!

Also as another aside, I now have a tumblr, though I’m not sure yet what I’ll do with it, if anything. I’ve already got too much going on, but I like playing around with the different media interfaces and seeing who and what are out there. It’s almost like sending signals out into space and seeing if any alien life responds . . .

The Self-Publishing Conundrum

I go back and forth when thinking about self-publishing.

That’s probably not the best way to open a post about the subject, but there you have it. A few years back I had written several short stories, only one of which managed to get picked up for publication. So I compiled them all and made a little book on Lulu.com to give to friends and family. It was even available on Amazon.com for a while. Nothing special, and I hadn’t done it with the idea to make a bunch of money or get my name out there. It was more that I felt like I needed to get those stories out of the way so I could do something else. I wanted them settled.

That book (The World Ends at Five) is no longer available. But I later had trouble when some markets showed interest in my stories, only to drop them when they considered them “previously published” just because I’d made a dozen books on Lulu. So in that light, I have to say I would probably only consider self-publishing again if I couldn’t get an agent or publisher interested first.

But then again . . .

Some works just don’t have a handy niche. A lot of my work is like that. People say, “What do you write?” and I’m like, “A little of everything.” A lot of my stories have a surreal bent. They’re not fantasy in the sword-and-sorcery sense, but they do involve magic or magical realism or alternate universes. It’s a pretty specific market with a limited number of outlets.

And then I’ve also written Sherlock Holmes stories. And a novella about a gay spy. And I’m working on a novel that appears to be a contemporary rom-com with a paranormal twist. (So . . . “paranormal romance” but not any of that over-the-top vampire/werewolf/ghost stuff.) And so some of this stuff ends up being not all that easy to place. And agents ask, “What do you write?” and I say, “A little of everything,” and they don’t know what to do with me. How do you market an author who skips around like that? So maybe self-publishing IS the way to go, not because it’s a last resort, but it’s more or less my only one.

Of course, then there’s the stigma. The whole idea that the only reason a person self-publishes is because they’re terrible writers “real” publishers won’t touch.

The problem with any stereotype is that it becomes a stereotype because it is (or at one time was) in some ways true. So yes, there are a lot of self-published authors who really could use some heavy editing. There are self-published authors who misspell and use terrible grammar and whose sentences hardly make sense for having been put together upside down and backwards. I know they exist because I’ve seen some of their books.

The idea, then, is that “real” publishers act as literary strainers: the good stuff gets through, the dirt and silt and impurities are kept out. But unfortunately, the mesh of the publishing houses is so fine, many good things also get kept out. And sometimes a little dirt gets through anyway. In other words, the system isn’t perfect.

And so there are some good self-published books out there. Even authors who have had success with traditional publishers are trying the self-pub route. And as it becomes easier for authors to do it themselves—therefore enabling authors to keep more of the money besides—there will continue to be an increase in solid self-published material.

The trick will be to find it. The good self-published books and e-books, that is. Now that every author markets themselves on Facebook and Twitter, it gets more and more difficult to weed one’s way through the blitz of status updates and Tweets. I’ll admit I’m still a little biased, still not terribly inclined to go check out a self-pubbed book or e-book unless I read a great review of it or a friend (better yet, more than one) recommends it. There are a lot of books out there, many I want to read, so to earn a spot on my stack, it needs to be pretty spectacular.

Wading through it all is like surfing the Web. There’s a lot of junk. Most of it can be ignored. And there’s more I don’t even know exists and I don’t really want to know, either. I have my select sites that I rely on. And every now and then someone says, “This site is cool,” and I check it out. And if it really is cool, it becomes a site I go back to regularly. The same rule applies to books and authors. I have authors I like, and subject matter I’m interested in, and writing styles I dig. I go back to those things. And if someone says, “Well, if you like so-and-so you’d probably like . . .” or “I read a new book about [interesting subject here],” then I might look into it. But some random person repeatedly shoving their book under my nose on Twitter probably isn’t going to sway me. In part because I’m pretty sure if/when I had/have a book to market, they wouldn’t bother with me, either. (That’s the problem with social marketing: everybody shouting and nobody listening. But that’s another topic.)

Let’s take fan fiction as an example. Years ago, fan writers had to submit their fics to fanzines devoted specifically to their chosen shows/genres. In that way, fanzine editors acted much as traditional publishers; they guarded the gates, made sure the best stories got through, or at least fixed the spelling errors. But then we came to the point where just about everyone had access to the Internet—hell, fanboys and -girls were some of the earliest adopters—and fan fiction began to pop up online. Everywhere. On collective sites like FanFiction.net, or on people’s personal sites, just . . . wherever. And it became impossible to find good fanfic any more because so much of it was just awful. (Sorry, folks, but seriously.) One had to shuffle through, or find a forum that had some recommendations, and those might or might not be any good based on whether you and whoever was making the recommendation had the same taste. (Kind of like whether you and a film critic agree; if you can find one you see eye-to-eye with, you’re in good shape following his or her recommendations on what to see—or not.)

So. Where does this leave self-publishing? Now that just about anyone can make an e-book, just like anyone can post a fanfic, it simply takes that much more work to find the good stuff. And makes it that much easier for an author and his/her work to get lost in the shuffle. I find that frustrating. Maybe because I’m not a marketing person, and so I know if I did self-publish something, it probably wouldn’t get me very far. But then again, even authors who get a traditional publisher might not get very far. It’s tough being a writer no matter which direction you go.

In the end, I wouldn’t rule out self-publishing. I’d like a few more traditionally published or produced pieces under my belt first, though. Credentials. Hey, if we’re now all in the self-marketing biz, I need to “establish my brand.” Or whatever.

Never mind. I’m going back to writing now.