So I’d like to write a TV tie-in novel for Sherlock. BBC Books holds the worldwide publishing rights and has told me they have “no plans to do any books at this time.” (BBC Books is part of Ebury which is owned by Random House.)
The question is, then: how do I change their minds?
It’s been a while, but today I polished a couple old short stories and submitted each to a potential publisher. Wish me luck!
I have a lot of older stuff that, with some elbow grease, could possibly find homes in print somewhere. And so many current projects going on, too, but not enough uninterrupted time to get as much done in any one go as I’d like. The best time would be evenings, once the kids are in bed, but by then I’m beat. What I need is a writing vacation! Which is to say, a vacation–alone–during which I focus on my work. Backwards, perhaps, from the usual idea of a vacation, but for me it would be heavenly!
I was asked by a friend to try my hand at a 10- to 15-minute stage play. Cool. The idea I’m currently tinkering with seems to be something between Auntie Mame and Arsenic and Old Lace. But now I’m wondering if I can keep it to 10 or 15 minutes . . .
I have a backup scene in my head as well, though.
. . . whether to spec out “The Obstructed View” or “A Society of Martlets” for my television script. A lot of people really like “The Obstructed View,” I think, but I’m having trouble managing a teaser for it since the story starts in media res. But it does have one of the funniest exchanges (the one between Sarah and Mrs. Hudson). “A Society of Martlets” would have to be stripped of the S/J stuff, but that wouldn’t actually be very difficult to do . . . Hmm . . .
(Because fanfiction is just an aside, after all.)
For those who are curious, I am working on two new scripting projects: one television spec script and one feature-length romantic comedy.