Writing Opportunity: Poetry Competition

Poetry Competition on Climate Change
for adults and children
Closing date: 31st March 2012
Judges: Carol Ann Duffy (English entries) & Elin ap Hywel (Welsh entries)

Prizes :
Adults: 1st £500; 2nd £100; 3rd £50
Children: 1st £50; 2nd £30; 3rd £20

Entry fee:
Adults: £3 per poem or 4 for £10
Children: £1 per poem or 4 for £3

Contact:
email: ehinshelwood@awelamantawe.co.uk
website: www.awelamantawe.co.uk

Entry details:
All poems submitted must be original work of the entrant. They cannot be returned so please don’t send your only copy. Each poem should be no more than 40 lines on any aspect of the theme of Climate Change. It must be typewritten. Please don’t put your name or address on the poems. Instead, you should put your name, contact details and titles of all poems submitted on an accompanying piece of paper.

The closing date is 31st March 2012. Prize winners will be notified by May 2012.
A prize-giving evening will take place on June 8th 2012 at Pontardawe Arts Centre.
Copyright of each poem remains with the author, but Awel Aman Tawe has the unrestricted right to publish the winning poems.

You may submit as many poems as you like as long as your entry is accompanied by the correct fee. Cheques payable to Awel Aman Tawe.

Please send your poems, accompanying details and payment to:
Awel Aman Tawe Poetry Competition
76-78 Heol Gwilym, Cwmllynfell, Swansea, SA9 2GN

You can also enter online and pay via paypal: www.awelamantawe.co.uk

Awel Aman Tawe is a community energy charity (charity no: 1114492) committed to tackling climate change. This poetry project is part of its Arts and Climate Change programme currently being funded by Countryside Council for Wales and Environment Wales.

Playwriting Opportunity (in English and Welsh)

Launch of DAW’s One Act Playwriting Competition 2012

Monday 17th October 2011. Today, DAW launched its annual Playwriting Competition. The competition aims to encourage the writing of plays for theatre in English and Welsh. Previous prizewinners have been published and performed as a result of promotion through our New Writing Scheme.

THE WINNING PLAY IN EACH CATEGORY
WILL RECEIVE A CASH PRIZE OF £250
AND WILL BE PUBLISHED

PLAYING TIME: 20-50 MINS – A MINIMUM CAST OF TWO

An Adjudicating Panel appointed by the Drama Association of Wales will read and consider the plays entered into the Competition and will award the following prizes:

• Best Play for a Youth Cast (16-25 years) – £250
• Best Play in the Open Category – £250
• Best Play in the Welsh Language – £250
• plus commemorative Prizewinners Medals
• The above plays will also be published by DAW Publications

Also:
• The Best Play from a Wales Based Playwright will be awarded a bursary to Tŷ Newydd, the National Writers’ Centre for Wales

TO CONTINUE THE SUCCESS OF LAST YEARS SERVICE…
If you would like to make use of DAW’s Script Reading Service whilst your play is with us, please send £37.50 as the combined price of both competition entry – £17.50 and Script Reading Service – £20.00

For a hard copy of the application form, please contact Teresa on Cardiff +44 (0) 29 2045 2200 or
email: teresa@dramawales.org.uk

For a downloadable entry form by pdf or word format, visit our website

Closing date: 31st January 2012

THE COMPETITION IS OPEN TO EVERYONE. DON’T BE DISCOURAGED FROM ENTERING IF YOU LIVE OUTSIDE WALES – WE RECEIVE ENTRIES FROM ALL OVER THE WORLD.

With special thanks this year to Christchurch Theatre Club, Dorset

And in Welsh, for the curious, if not for those who actually read and speak it . . .

LAWNSIAD CYSTADLEUAETH YSGRIFENNU DRAMA UN ACT CDdC 2012

Yr wythnos hon, fydd CDdC yn lawnsio’r gystadleuaeth ysgrifennu drama un act 2012. Bwriad y gystadleuaeth yw annog ysgrifennu dramau ar gyfer theatr yn y Gymraeg ar Saesneg. Yn ogystal a gwobr ariannol byddem yn ystyried cyhoeddi rai o’r dramau buddugol. Yn y gorffennol maer dramau buddugol wedi cael ei cyhoeddi a’i perfformio o ganlyniad i gynllun hyrwyddo ysgrifennu newydd CDdC.

MI FYDD ENNILLYDD POB CATEGORI YN ENNILL GWOBR ARIANNOL O £250 AC YSTYRIR GYHOEDDI RHAI O’R DRAMAU BUDDUGOL!

HYD Y DDRAMA: 20-50 MUNUD – CAST O DDAU NEU FWY YN UNIG.

Penodir panel o feirniaid gan Gymdeithas Ddrama Cymru i ddarllen, dadansoddi dramau ar gyfer dewis ennillwyr yr gwborwyon canlynol:

• Drama orau ar gyfer cast ieuenctid (15-25mlwydd oed) – £250
• Drama orau yn yr gystadleuaeth Agored – £250
• Drama cyfrwng Gymraeg orau – £250
• Medalau i’r ennillwyr cofiannol.
• Bydd CDdC y ystyried gyhoeddi’r dramau uchod

Yn ogystal:
• Mi fydd yr ddrama orau gan ddramodydd o Gymru yn ennill bwrsariaeth i Ty Newydd, Canolfan Ysgrifennu Cenedlaethol Cymru.

GWASANAETH DARLLEN SGRIPTIAU

Os hoffech wneud defnydd o wasanaeth darllen sgriptiau Cymdeithas Ddrama Cymru tra bod eich drama gyda ni y pris gyfunedig yw £37.50 sef £17.50 i gystadlu yn y gystadleuaeth ysgrifennu a £20.00 am ein gwasanaeth darllen sgript.

Am ffurflen gais ar gyfer y gystadleuaeth, cysylltwch â Teresa, Swyddfa Cymdeithas Ddrama Cymru (CDdC) drwy ffonio +44 (0) 29 2045 2200 neu ebost: teresa@dramawales.org.uk neu www.dramawales.org.uk/pages/playwritingcompetition.html am ffurflen gais pdf neu word

Dyddiad cau: 31ain o fis Ionawr, 2012

CYSTADLEUAETH YN AGORED I BAWB. PEIDIWCH A DI-GALONNI OS YDYCH YN BYW TU ALLAN I GYMRU- RYDYM YN DERBYN CEISIADAU GAN GYSTADLEUWYR AR DRAWS Y BYD!

www.dramacymru.org.uk/tudalen/cystadleuaeth.html

Diolch yn fawr iawn i Christchurch Theatre Club, Dorset

Making a Play

So I’ve written two plays: the 10-minute “Warm Bodies” and the one-act play 20 August. That one was supposed to be two acts but it would have required a lot of padding to make it long enough and I didn’t want it to drag.

Prior to these two, I’d written scenes but never an entire play of any length. Except screenplays. I had done those and intend to do more.

So what drew me into to playwriting? Well, friends of mine asked me to try my hand at a short play for something their local community theatre was doing, a sort of directors’ workshop. “Warm Bodies” sprang from that. And I was rather pleased with the result, so I submitted “Warm Bodies” to a few other places–many of which I have yet to hear back from. But one theatre in London e-mailed me back and asked for a sample of something longer.

I had nothing longer. At least, not in terms of stage plays. SO . . . I wrote 20 August.

Apparently as far as plays go, I write on commission. Unpaid commission at that, but if something ends up produced, that wouldn’t be too terrible.

I used to be in a Shakespeare troupe, and I also did some acting in college, so at least I wasn’t entirely unfamiliar with the form. With my screenwriting background, and my understanding of the mechanics of a stage, I think I did all right. “Warm Bodies” has been submitted to eight different competitions now–and though it hasn’t been accepted anywhere yet, it hasn’t been rejected yet, either (though that’s just a matter of time, I’m sure)–and 20 August is being read in both London and Cardiff.

I never fancied myself a playwright, even though I have taught playwriting classes. Hmm. As Ophelia says: “We know what we are but know not what we may be.”

Update

So “Warm Bodies” has been sent off to two competitions and one potential publisher.

I’m working on a new short story and I’m really liking the way it’s coming along.

And in three weekends, I intend to spend my time in New York pounding out my television script. (Though Sherlock and I will also take time to see a bit of the city and get some pictures.)

So far August is shaping up to be a good month. Now if I could only shake this cold . . .

“Warm Bodies”

Finished my 10-minute play today. Well, one of them. I had started a second one and may also try to finish it at some point.

It’s been ages since I’ve written for the stage. Not so different from screenwriting as far as style goes; you know, lots of dialogue and minimal direction. I leave that to the directors and the details to the art department. I tell a story and their job is to make it happen. Even my prose tends to be narrowly focused, and the most common criticism I used to receive in writing workshops (for prose) was that I didn’t always put in a lot of details.

The thing is, a lot of directors don’t want a ton of detail. And even if you give it, they’ll probably change it anyway. What I do like about this play that I’ve written–its title, like this post, is “Warm Bodies”–is that it can be interpreted any number of ways, I think. The director and the actors can have fun with it, “play” with it.

I’m sending it off to a competition. The deadline isn’t even until October 1, but when they sent me an e-mail and asked me outright to consider submitting something, I sort of had a kindling of an idea and ran with it. We’ll see how it goes!

Registrations and Competitions

So a few days ago I went ahead and registered on the Writers & Artists site. But they still haven’t approved my profile picture for some reason . . . Not sure what is going on there, but I would hope if they had a reason for not approving and posting the picture, they’d at least let me know.

I also just put a couple chapters of a YA novel I started writing up on You Write On. I’m not sure how much I trust their “competition” since I noticed after the fact that there were ads to have them publish your work, but it’s free, so why not? I’m open to a number of avenues for my work. And as my fortune cookie told me last night:

Opportunities multiply when they are seized but die when they are neglected.