Playwriting Opportunity

The following was sent to me:

Want the chance to get your theatre script produced and performed in July 2012? The 24:7 Theatre Festival is looking for new material in the form of 10 plays for any audience and 1 specifically for a family audience.

The 24:7 Theatre Festival can provide an important stepping stone for those with talent in playwriting, providing invaluable experience and exposure.

24:7 aims to empower the writer to self-produce their own work, whilst giving as much support as is needed. Whilst this may seem daunting it does work! New writers needn’t be intimidated as there are always first time writers participating every year. We aim to help make your dreams come true, so give it a chance!

Entry to the festival opens on 1st December and closes on 9th January 2012.

For more information please contact natalia@247theatrefestival.co.uk

The site for the festival is www.247theatrefestival.co.uk. Note there is an entry fee as well as an additional fee for production if your play is selected.

Cardiff University Seminar: Performance in Place of War

Beacon for Wales Lunchtime Seminar

Performance in Place of War – engaging locally and internationally

Professor James Thompson, Professor of Applied Theatre and Associate Dean for External Relations, University of Manchester

Thursday 8th December, 12.30pm – 1.30pm, Glamorgan Council Chamber, Glamorgan Building, Cardiff University

In Place of War was awarded the THE ‘Excellence and Innovation in the Arts Award’ 2010 and has now been developing and supporting theatre and arts programmes in sites of armed conflict since 2004. It started as a research project funded by the AHRC, and has subsequently developed online resources and publications, organised seminars and conferences, and developed practical arts projects in both the UK and abroad. In the last three years it has developed an artists network that has involved practitioners from DR Congo, Kosovo, Northern Ireland, Sri Lanka and South Sudan. In the summer of 2011 it ran the first ever theatre conference in the eastern DR Congo town of Goma.

James will present the project, giving examples of different arts programmes, the varying activities of the network of artists and how it has sought to engage with both academic and non-academic audiences. One of the principles of In Place of War has been to explore how its work can relate to groups internationally and locally – and James will discuss the relation between Manchester-based activities and work that has been focused overseas. Performances by refugees within the University to family audiences will be compared to programmes for refugees in Sudan and DR Congo. In Place of War hopes to be a positive example of how arts and humanities researchers can develop projects that interact with diverse communities beyond the University.

For further information: http://www.inplaceofwar.net/

James Thompson is Professor of Applied Theatre and Associate Dean for External Relations at the Faculty of Humanities, University of Manchester. He is director of the In Place of War project – a research and practice-based initiative that works with artists who live and work in war zones. He has published widely in the field of Applied Theatre, including with colleagues ‘Performance In Place of War’ (Seagull/University of Chicago) and ‘Performance Affects’ (Palgrave). His current position involves developing the public engagement, outreach and social responsibility programmes for the University’s Faculty of Humanities.

This seminar is free to attend.

To book your place visit: http://beaconforwalesdecseminar.eventbrite.com/

And again in Welsh:

Goleufa Cymru Seminar Amser Cinio
Perfformio Yn Lle Rhyfel – ymgysylltu’n lleol a rhyngwladol

Yr Athro James Thompson, Athro Theatr Gymwysedig a Deon Cyswllt Cysylltiadau Allanol, Prifysgol Manceinion

Dydd Iau 8 Rhagfyr, 12.30pm – 1.30pm, Ystafell Gyngor Morgannwg, Adeilad Morgannwg, Prifysgol Caerdydd

Enillodd Yn Lle Rhyfel ‘Wobr Rhagoriaeth ac Arloesi yn y Celfyddydau’ 2010 ac mae bellach wedi bod yn datblygu a chefnogi rhaglenni theatr a chelfyddydau mewn mannau o wrthdaro arfog ers 2004. Dechreuodd fel prosiect ymchwil wedi ei ariannu gan yr AHRC, ac yn dilyn hynny mae wedi datblygu adnoddau ar-lein a chyhoeddiadau, wedi trefnu seminarau a chynadleddau, ac wedi datblygu prosiectau celf ymarferol yn y DU a thramor. Yn y tair blynedd diwethaf mae wedi datblygu rhwydwaith o artistiaid sy’n cynnwys ymarferwyr o’r Congo, Kosovo, Gogledd Iwerddon, Sri Lanka a De Swdan. Yn ystod haf 2011 cynhaliodd y gynhadledd theatr gyntaf erioed yn nhref Goma yng Ngweriniaeth Ddemocrataidd y Congo.

Bydd James yn cyflwyno’r prosiect, gan roi enghreifftiau o raglenni celf gwahanol, gweithgareddau amrywiol y rhwydwaith o artistiaid a sut mae wedi ceisio ymgysylltu â chynulleidfaoedd academaidd ac anacademaidd. Un o egwyddorion Yn Lle Rhyfel oedd archwilio sut gall ei waith gysylltu gyda grwpiau rhyngwladol a lleol – a bydd James yn trafod y berthynas rhwng y gweithgareddau a wneir ym Manceinion a’r gwaith y bu canolbwyntio arno dramor. Caiff perfformiadau gan ffoaduriaid yn y Brifysgol i gynulleidfaoedd teuluol eu cymharu i raglenni i ffoaduriaid yn Swdan a Gweriniaeth Ddemocrataidd y Congo. Mae Yn Lle Rhyfel yn gobeithio bod yn enghraifft gadarnhaol o sut gall ymchwilwyr y celfyddydau a’r dyniaethau ddatblygu prosiectau sy’n rhyngweithio gyda chymunedau amrywiol y tu hwnt i’r Brifysgol.
Am ragor o wybodaeth: http://www.inplaceofwar.net/

Mae James Thompson yn Athro Theatr Gymwysedig ac yn Ddeon Cyswllt Cysylltiadau Allanol yng Nghyfadran y Dyniaethau, Prifysgol Manceinion. Ef yw cyfarwyddwr prosiect Yn Lle Rhyfel – menter ymchwil ac ymarfer sy’n gweithio gydag artistiaid sy’n byw ac yn gweithio mewn rhanbarthau rhyfel. Mae wedi cyhoeddi’n helaeth ym maes Theatr Gymwysedig, gan gynnwys gyda chydweithwyr ‘Perfformio Yn Lle Rhyfel’ (Seagull/Prifysgol Chicago) ac ‘Affeithiau Perfformio’ (Palgrave). Mae a wnelo ei swydd bresennol â datblygu’r rhaglenni ymgysylltu â’r cyhoedd, allgymorth a chyfrifoldeb cymdeithasol i Gyfadran Dyniaethau’r Brifysgol.

Gellir mynychu’r seminar hon yn rhad ac am ddim.

I archebu’ch lle ewch i http://beaconforwalesdecseminar.eventbrite.com/

Doctor Who Movie Rumors

Okay, so this is something I find interesting: today I received an e-mail from Variety, to which as someone in “the industry” I subscribe. It announced that David Yates–helmer of some of the Harry Potter films–was teaming up with the BBC to do a Doctor Who movie. NOT one that has anything to do with the current television program, mind you. The movie would be all new, its own thing.

This makes sense in a broad audience appeal kind of way. You don’t necessarily want to launch a movie franchise that requires viewers to slog through a lot of backlog. Look at the X-Files movies. Hell, I watched that series and still didn’t understand those films. Never mind people who went in cold.

Now there’s no script and no cast yet, just some big names behind getting the project off the ground. (By the way, if they want a script, I’d be happy to oblige . . .) Other, previous attempts have not borne fruit, so there’s reason to think the odds of anything happening are 50/50.

But what I really find intriguing is the protest-too-much reaction I’ve witnessed on Twitter. So many people in the DW camp coming out and saying that it’s just a rumor, there’s nothing in it. Really? Because I can usually trust Variety. I won’t say they’re always right, but Yates had some quotes in there that made this project sound very possible. So why the fuss? Do they see this as a rival instead of a boost? Do they only want a DW movie if Moffat and Smith and co. are involved?

The issue of creative control is always a touchy one. And fan loyalty plays into the dynamics as well in terms of planning big projects. Anyone who’s had to adapt a bestselling, much-loved novel knows that. And here is a possible recasting of a cult classic television program, so there’s bound to be some strong feelings involved. Though in the end it’s a legal issue of who has rights to what, whose contracts say what and so on.

I, for one, am curious to see what comes of it, if anything. After all, people had reservations about the television show, too, when it rebooted in 2005. They had doubts when David Tennant was replaced by Matt Smith, too. But it’s all turned out okay so far. Why have so little faith now?

Wait and see is the watchword. (And maybe consider Benny Cumberbatch for the film version of the Doctor. We already know he can rock a scarf.)

My Name in Lights

Not really, but “Warm Bodies” is now officially listed as a semi-finalist at The Valley Repertory Company‘s 3rd Annual LabWorks. Auditions are on December 4th, and it’s very weird to think about actual people acting out what I’ve written. Just so different from screenwriting, which feels a bit more removed. But I’m hugely excited anyway and hope to travel down and see the play in February. I wonder if I’ll be able to stand it? (I can’t stand watching myself on video after a performance; will watching others perform my play be any different?) I guess we’ll see . . .

What I do like about playwriting is that I tell a story and then different directors can do any number of things with it. Like we’re all having the same dream but it looks different to everyone.

Playwriting Opportunity (in English and Welsh)

Launch of DAW’s One Act Playwriting Competition 2012

Monday 17th October 2011. Today, DAW launched its annual Playwriting Competition. The competition aims to encourage the writing of plays for theatre in English and Welsh. Previous prizewinners have been published and performed as a result of promotion through our New Writing Scheme.

THE WINNING PLAY IN EACH CATEGORY
WILL RECEIVE A CASH PRIZE OF £250
AND WILL BE PUBLISHED

PLAYING TIME: 20-50 MINS – A MINIMUM CAST OF TWO

An Adjudicating Panel appointed by the Drama Association of Wales will read and consider the plays entered into the Competition and will award the following prizes:

• Best Play for a Youth Cast (16-25 years) – £250
• Best Play in the Open Category – £250
• Best Play in the Welsh Language – £250
• plus commemorative Prizewinners Medals
• The above plays will also be published by DAW Publications

Also:
• The Best Play from a Wales Based Playwright will be awarded a bursary to Tŷ Newydd, the National Writers’ Centre for Wales

TO CONTINUE THE SUCCESS OF LAST YEARS SERVICE…
If you would like to make use of DAW’s Script Reading Service whilst your play is with us, please send £37.50 as the combined price of both competition entry – £17.50 and Script Reading Service – £20.00

For a hard copy of the application form, please contact Teresa on Cardiff +44 (0) 29 2045 2200 or
email: teresa@dramawales.org.uk

For a downloadable entry form by pdf or word format, visit our website

Closing date: 31st January 2012

THE COMPETITION IS OPEN TO EVERYONE. DON’T BE DISCOURAGED FROM ENTERING IF YOU LIVE OUTSIDE WALES – WE RECEIVE ENTRIES FROM ALL OVER THE WORLD.

With special thanks this year to Christchurch Theatre Club, Dorset

And in Welsh, for the curious, if not for those who actually read and speak it . . .

LAWNSIAD CYSTADLEUAETH YSGRIFENNU DRAMA UN ACT CDdC 2012

Yr wythnos hon, fydd CDdC yn lawnsio’r gystadleuaeth ysgrifennu drama un act 2012. Bwriad y gystadleuaeth yw annog ysgrifennu dramau ar gyfer theatr yn y Gymraeg ar Saesneg. Yn ogystal a gwobr ariannol byddem yn ystyried cyhoeddi rai o’r dramau buddugol. Yn y gorffennol maer dramau buddugol wedi cael ei cyhoeddi a’i perfformio o ganlyniad i gynllun hyrwyddo ysgrifennu newydd CDdC.

MI FYDD ENNILLYDD POB CATEGORI YN ENNILL GWOBR ARIANNOL O £250 AC YSTYRIR GYHOEDDI RHAI O’R DRAMAU BUDDUGOL!

HYD Y DDRAMA: 20-50 MUNUD – CAST O DDAU NEU FWY YN UNIG.

Penodir panel o feirniaid gan Gymdeithas Ddrama Cymru i ddarllen, dadansoddi dramau ar gyfer dewis ennillwyr yr gwborwyon canlynol:

• Drama orau ar gyfer cast ieuenctid (15-25mlwydd oed) – £250
• Drama orau yn yr gystadleuaeth Agored – £250
• Drama cyfrwng Gymraeg orau – £250
• Medalau i’r ennillwyr cofiannol.
• Bydd CDdC y ystyried gyhoeddi’r dramau uchod

Yn ogystal:
• Mi fydd yr ddrama orau gan ddramodydd o Gymru yn ennill bwrsariaeth i Ty Newydd, Canolfan Ysgrifennu Cenedlaethol Cymru.

GWASANAETH DARLLEN SGRIPTIAU

Os hoffech wneud defnydd o wasanaeth darllen sgriptiau Cymdeithas Ddrama Cymru tra bod eich drama gyda ni y pris gyfunedig yw £37.50 sef £17.50 i gystadlu yn y gystadleuaeth ysgrifennu a £20.00 am ein gwasanaeth darllen sgript.

Am ffurflen gais ar gyfer y gystadleuaeth, cysylltwch â Teresa, Swyddfa Cymdeithas Ddrama Cymru (CDdC) drwy ffonio +44 (0) 29 2045 2200 neu ebost: teresa@dramawales.org.uk neu www.dramawales.org.uk/pages/playwritingcompetition.html am ffurflen gais pdf neu word

Dyddiad cau: 31ain o fis Ionawr, 2012

CYSTADLEUAETH YN AGORED I BAWB. PEIDIWCH A DI-GALONNI OS YDYCH YN BYW TU ALLAN I GYMRU- RYDYM YN DERBYN CEISIADAU GAN GYSTADLEUWYR AR DRAWS Y BYD!

www.dramacymru.org.uk/tudalen/cystadleuaeth.html

Diolch yn fawr iawn i Christchurch Theatre Club, Dorset

Another Writing/Continuing Ed Opportunity

Scriptwriting course in New Theatre

There will be a new ten week course leading to a ten page short and showcase at Bridgend College Sony Theatre.

The course will look at story structure, format, finding your voice and getting your work on.

The course begins Tuesday the 4th of October 5.30 – 7.30.

There are opportunities to do it on line or through drop in to allow for work hours. Each session is not compulsory and students can drop in on sessions they would like to attend.

Cost: Waivered for Unemployed etc. £115 to full time employment.

Enquiries to Carmen at cmstephens@bridgend.ac.uk