This was better than the first two. There’s that at least.
An adaptation of “Charles Augustus Milverton,” here changed to Magnuson—a most reviled blackmailer in the Doyle story and equally nastily portrayed in this take. In the original tale, Sherlock Holmes’s revulsion and frustration are palpable, and this did a decent job of pulling that through. And yes, Doyle’s Holmes does court a member of Milverton’s staff in order to gain access to his home, so I saw that bit coming.
There were little things, like the fact that if Sherlock is holding John’s coat he should be able to tell John’s gun is in it without having to ask. Stuff like that.
I enjoyed the passing reference to Sherriford. And the way Billy was introduced. I liked Sherlock’s sincere affection for John, which came through quite nicely this episode. I realize it was the through line of the plot, but really there were just lovely moments that highlighted this aspect, particularly at the end when Sherlock is on the plane and so heartbroken (as much as ever Sherlock can be) to have to leave.
I don’t know if I’m sold on the whole “three amigos” aspect of bringing Mary into things as an ex government assassin. Though I’m sure they’ll try and make her useful. (And oooh, her last initial is “A.” Could she be an Adler? Or is that stretching?)
And are we sure Moriarty’s actually alive? Just about anyone can throw an animated image together. Just curious. (Though I’ve been told Molly telegraphs that Moriarty IS alive with her “not like in the movies” bit. Are we supposed to then believe Sherlock was taken in? That he was in enough of a state that he didn’t notice it was all staged . . . Because he was too busy staging his own? Hmm. I don’t entirely buy it. Unless the gimmick is that Sherlock secretly doesn’t want Moriarty to be dead because that means he loses a playmate. But seems like if he spent two years clearing Moriarty’s network, he’d have heard something about Moriarty still being alive.)
Again, I’ll probably have to think about it some more, but . . . I’m mostly relieved it wasn’t as awful as the previous ones. Well, when you set the bar low, it isn’t difficult to jump over. That was the difficulty coming off the first series; how does one maintain such quality? Nothing is perfect, nor is perfection a sustainable state of being. Perfection is something that comes only in brief moments. Still, one should strive for it, or at least to do as best as one can.
But that’s another lecture for another time.
I’ll sleep on it. And come up with more thoughts. Or not. ::shrug:: ::yawn::
ETA: Another thought here.