My Doctor Who Movie Plot

Okay, so this is just off the top of my head because of course I’ve had a phone call: “All right, M, what would you do with this?” And I haven’t had any kind of time to really think about it, but . . .

We’ll skip Gallifrey for the moment. These things just tend to come off as cheesy anyway and will limit the audience potential. Also: budget concerns. So let’s get right to the Doctor being on Earth. Wherever, doesn’t matter, pick a place to film (a city, though; the more people in harm’s way, the better our hero comes off when he saves them).

So what’s he doing? Trying to fix the TARDIS, I suspect, so we’ll start him off gathering parts somewhere—a junk yard, a landfill, a Dumpster, doesn’t matter, just somewhere there might be, say, bums or homeless people or sanitation workers because here comes our inciting incident: the Doctor is going to do something strange and amazing that will set off a sort of panic. Pretty soon authorities will be hunting for him, and meanwhile he’s desperate to fix the TARDIS and what? Get back to the Time War maybe, something like that.

Yes, yes, so then we need to introduce our companion. Probably female. Someone who recognizes him from the news reports or the YouTube footage or whatever is going around. Ready to call the police when she runs into him, but of course he does something either to save or impress her, and she takes that split second to rethink things. Curiosity, cat, satisfaction, etc.

There will be the whole bit in which she’s not sure if he’s crazy or what but finds herself helping elude the authorities anyway because he swears that blue box can time travel—if only he can fix it.

We’ll want another threat as well, something unfriendly coming at the planet. The Doctor will get the TARDIS up and running, and he’s all ready to get back to that Time War, but finds himself unable to leave Earth in peril. So he takes up precious minutes/hours/days thwarting whatever threat we’ve stacked against the humans, and only then will he be able to get back to Gallifrey . . .

But he’s just slightly too late.

BAM.

He’s a homeless drifter, has a working TARDIS and a companion, and off we go to the next film (assuming there is one).

See? Not bad for sitting at my desk while two small children scream at me to help them with their puzzles and can they please have some doughnuts.

Off to New York

In a few hours I’ll be on the train to NYC. I prefer the train to flying; I like forms of travel that provide me with scenery.

Staying in the Paramount at Times Square. I haven’t stayed in this particular hotel before, but it’s supposed to be very nice, so I’m excited to give it a go. Since I’m planning on spending most of my time in the room (writing), it’s important to me it be a nice one!

I do expect I’ll need to take breaks, though. To eat at least, and to find gifts for the kids because I’ll be taken to task if I return empty handed on Sunday. Also, I’ll want to go to the Lindt store and stock up on truffles because I like to eat those while I’m writing. They’re like sweet little rewards for my hard work.

For the most part I expect to be working on my “K-Pro” story, though I may also edit 20 August a bit. I’m thinking of reducing it to a one-act play. Once it’s ready I’ll be able to send it out to competitions and such. AND . . . I’m bringing the stuff for my spec script just in case I get the urge to work on it.

Here’s hoping for a productive weekend!

WIPs

I thought I might expand a bit more on my two current projects, which I mentioned briefly in yesterday’s Sparkfest post.

(1) The play I’m writing–this one is a full-length play–is about a man who jumps off a bridge. Sort of. Is any play ever really about what it pretends to be about? My previous playwriting effort, “Warm Bodies,” has been generally well received, so I hope this one will be too. I’ve dabbled in scene writing before, and I’ve even taught playwriting classes, so it’s funny that I never really tapped into that side of me for out-and-out writing. I only wrote “Warm Bodies” because someone asked for a 10-minute play for a directors’ workshop, and I thought, Well, it can’t be so different from screenwriting, so long as you keep it in your head that they can’t do quick cuts and will need time to change sets. Right? It probably helped that I do have a modest history in stage acting.

(2) The story I’m writing, which looks like it will be novella length before long, is called “The K-Pro.” It’s, uh, different from my usual thing. But not in a bad way. Can’t quite tell if it’s going to go the paranormal romance route or just be a kind of weird . . . thing.

And once I finish these two projects, I have a couple of actual screenwriting projects to get on with. “Something Real” is a romantic comedy, and I also have a TV spec script to sort out. When it rains, it pours! I’ll be off to NYC this weekend to devote some real time to all of this; it can be difficult to concentrate at home with the ins and outs of family.

Underground

Been underground for a bit working on this new story. Looks to be a novella, possibly in the paranormal romance genre. No wizardry kind of stuff, just the slightly surreal/magical realism kind of thing. Sort of in the vein of Sarah Allen Addison maybe.

So I had originally been planning to hammer out the television spec during my upcoming weekend in New York, but now I’m wondering if I won’t just keep on with this story. Not sure I could finish it, though. I could try, but I might actually get farther with the script, and it would feel good to have completed (or nearly completed) something. Decisions, decisions.

Update

So “Warm Bodies” has been sent off to two competitions and one potential publisher.

I’m working on a new short story and I’m really liking the way it’s coming along.

And in three weekends, I intend to spend my time in New York pounding out my television script. (Though Sherlock and I will also take time to see a bit of the city and get some pictures.)

So far August is shaping up to be a good month. Now if I could only shake this cold . . .

Projects

So this is what I have staring me in the face at the moment:

  • Stage play – short form
  • Stage play – long form
  • Spec script – television
  • Spec script – full-length feature film
  • Short story

And this doesn’t include stories I’ve already written that are in various stages of being submitted. Nor does it include two half-finished novels, though I don’t know when I’ll get back to those.

Trying to Decide . . .

. . . whether to spec out “The Obstructed View” or “A Society of Martlets” for my television script. A lot of people really like “The Obstructed View,” I think, but I’m having trouble managing a teaser for it since the story starts in media res. But it does have one of the funniest exchanges (the one between Sarah and Mrs. Hudson). “A Society of Martlets” would have to be stripped of the S/J stuff, but that wouldn’t actually be very difficult to do . . . Hmm . . .