Movies: Emma (2020)

I’m a fan of Jane Austen’s novels. And I enjoy a good period/costume drama. So I was probably already primed to like this most recent adaptation of Austen’s story.

If you are unfamiliar with it, Emma is about the titular character, a 21-year-old busybody who fancies herself a matchmaker. But by meddling in others’ love affairs, she actually goes about nearly ruining lives. Emma is often portrayed as having the best of intentions—a sweet but misguided nature. That is certainly the take they had in the Gwyneth Paltrow version, which is probably the best known. But in this one, Emma is really kind of terrible, almost even a bit unlikable. And it works. Because, in truth, to get the full character arc, Emma must start out as someone who needs to change, and she needs to come to that realization.

This take is beautiful to behold as well. The costumes, the sets—all lovely. I did find myself distracted by the fact Emma wore makeup and pretty much no other [female] character did. It was very obvious. But other than that, a mostly gorgeous sight.

In short, I do really recommend this version to fans of Austen or this genre of film in particular. I’m not sure the average viewer would love it, but it’s definitely worthy of attention from those predisposed to it. So glad that Universal chose to release it on demand early to those of us stuck at home.

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