Good News/Bad News

Yesterday evening I found out my screenplay 20 August made the Top 20 in the Fempire Screenplay Contest. The news came in a rather surprising way, actually:
 
 
 
 

So that was fun.

I’ve been trying to get 20 August made for years now. I’ve had indie directors pick it up and then wander off to do other stuff, which is a bit frustrating. I’ve been told I should just make the movie myself, which is also frustrating. If I could—and if I really wanted to—I would. But I’m a writer. And yet, in the indie world, it seems that’s not enough any more. Indie directors mostly write their own material now and aren’t looking for outside content.

The Good News: 20 August has been recognized yet again as a good screenplay.

The Bad News: I’m not any closer to getting it made.

I’ve often heard, “If you wanted it badly enough, you’d figure out a way.” But life doesn’t work like that. We can want things badly—need them, even—and there’s sometimes no way. People who say there is always a way are the same people who say that if you work hard enough you’ll succeed. And that simply isn’t true. You can work your ass off and still fail. That’s life.

I’m not even sure why I still send 20 August into competition. I guess I keep hoping someone will see its potential and magically pass it up to someone able to make it happen. With the rise of indie Oscar winners like Moonlight, I fantasize that my little movie could also be a winner. But the truth is, I write very few screenplays any more. It’s too difficult to get a “yes” from all the people required to say “yes.” Hell, it’s too difficult to get the damn thing in front of the people who have to say “yes.” Books are simpler.

Still, I had an indie director contact me the other day asking me to write a script for a specific location. Um . . . I’ve written stuff for this director before and he has yet to do anything with it. So is it a waste of my time? I’ll probably never see any money for all the work I’ve already done, not only on stuff for this director, but any of my screenwriting. It’s a losing proposition.

Yet I won’t rule out writing something. Hope springs infernal, after all.

Published by

M

Writer/Screenwriter

2 thoughts on “Good News/Bad News”

    1. No, he simply has access to a house for filming in and since it can be costly and difficult to get permits to film in other places, he wants to contain the script to the location he has. This is fairly common for indie films and directors just starting out. At the very least, they ask for no more than a few locations. 20 AUGUST has very few because it was designed to be inexpensive to film.

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