SFWC 2018: Synopses
One of the most onerous parts of being a writer is having to boil down the entirety of your book into 1-2 pages. I’ve often said, “If I could tell it in a page, I wouldn’t have written a book!” Still, many agents still require a synopsis. So here is some info on how to write them.
Some agents ask for a 1-page synopsis. If so, you should write it single spaced with a break between each paragraph. If you’re asked for a 2-page synopsis, you should double space with no extra break between paragraphs.
A synopsis is always written in third person present tense, regardless of the POV of the book itself. Also, a synopsis is the one place where you’ll be asked to tell instead of show. For example, if your character is old and miserly, you might literally write in your synopsis: “SCROOGE is a crotchety old miser who hates Christmas.”
Notice that I also capitalized Scrooge’s name. The woman running this session said to do that the first time you introduce a character in a synopsis. I’ll admit I’d never heard that one before. It’s something we do in screenwriting, but I have never heard of anyone doing it when writing prose. I suppose it can’t hurt.
Although a synopsis tells the story of the novel—and yes, you should give away the ending—do not simply list the events that occur by saying, “And then . . .” Vary your transitions and keep it interesting. Give character motivations, too: “Seeing the vial of poison beside Romeo’s body, Juliet kisses him in the hopes that she might also be poisoned. When that doesn’t work, she takes Romeo’s dagger . . .” You get the picture.
In fact, reading a sample synopsis for a book you’re familiar with can help you figure out how to write your own.
Final rule: omit backstory and secondary plot lines unless these things tie in with the main plot. The example that was used in this session was that of Mr. Collins in Pride and Prejudice. Could he be included in the synopsis? Sure. Is he entirely necessary? Probably not.
The goal of a synopsis is to give the skull of the book. I say that because, you know how forensic pathologists can recreate a face from a skull? The agent will construct a sense of your book from the synopsis. That’s probably a really weird analogy, but there you go.