DFW Writers Convention

Here in the Big D (that’s Dallas) for the writing convention and having a lovely time. It’s much smaller than the San Francisco conference, which has its pros and cons. On the pro side, I was able to actually talk to Kevin J. Anderson and Charlaine Harris.

With Kevin J. Anderson . . . And, no, I don't look at all like an insane stalker, right?
With Kevin J. Anderson . . . And, no, I don’t look at all like an insane stalker, right?

On the con side, much more limited class options and only one pitch session is included in the price of admission; there is the option to purchase more pitches, but I’ve done that with screenwriting to very limited results, so I’m not inclined to try it here.

Still, my pitch went well, and the editor requested three chapters. I’m going to polish them ’til they shine and then send them off to her.

Me Ra Koh did an informative talk on using social media. In particular, she showed us what to do on Facebook to reach more readers and gave suggestions for what should be on our Amazon author pages.

Kevin J. Anderson (see above) gave a great keynote on the “popcorn theory of success” in which he demonstrated how you never know which kernel might pop next or where it might land. In that way, keep as many kernels in the oil as possible. Don’t just put one kernel in and watch it and wait for it to pop.

There was a panel on asking agents questions, but I didn’t learn much that was new. I think agents get a lot of the same questions over many conferences. I did find it interesting, however, that most of the agents on this panel think “New Adult” is a passing fad that will probably be subsumed by the overall romance genre because most NA books are heavy on the romance angle.

The workshop on understanding rejection letters was really helpful, though. It was a workshop for people who’d queried and even had several requests by agents for their manuscripts only to be ultimately rejected. So where is the disconnect there? I learned that, based on the feedback I’ve received of how well written Peter is, and how much the agents like the story, character, setting, etc., it’s quite possible that they just don’t believe there’s a market for the book. It’s a moot point now, since Peter went to Tirgearr, but it’s nice to know that it [possibly] wasn’t me or my writing. The agents also said that, as a rule, the offer to submit something else to them is a genuine one, not just a courtesy. If an agent says, “Feel free to query me with your next project,” they usually see something in your writing and voice that they like. That makes me feel good, since I’ve had several such responses from agents.

Tonight is Charlaine Harris’ keynote and a reception. Should be fun. And tomorrow another day of workshops, though not as long. I fly home tomorrow evening, too, which means I’ll be wiped out. But so far it’s been a good conference.

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