Good News, Bad News

It’s been one of those weeks. I’m getting a lot of feedback regarding Peter, which has been mostly very encouraging: it’s well written, I’m told, and a unique story. But. (And there’s always a “but.”) The story should start in a different way and I should make Peter more sympathetic from the get go.

I’ll admit he’s a cypher. That’s kind of key to being a spy. But many agents and editors are telling me to maybe get in his head a bit more.

It feels like a daunting amount of work, but I’ll do it. I need to print out the whole damn thing and give it a thorough once over, identify where and how to add and tweak.

So now I’m caught: Do I focus on fixing Peter? Or do I try to finish Changers first? Changers will surely be an easier sell to agents and publishers. But I also have this need to see Peter settled and done with. And now I feel frozen, not sure where to turn, which means I’m not getting anything done.

Well, but there’s been good news this week on the screenwriting front. Superstition keeps me from going into detail, but it’s sufficient to say I’d have had a pretty awful week if not for this bright spot.

Onward, then.

As soon as I pick a direction.

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