1. Tell us about your favorite writing project/universe that you’ve worked with and why.
When I was an undergrad (this appears to be the day for undergraduate nostalgia), I took a course called Parageography, which is “the study of imaginary places.” It was developed and taught at the University of Texas at Austin by Dr. Douglass Parker, who structured the course as partly literary–we read things like The Wizard of Oz and Orlando and The Lion, the Witch, and the Wardrobe–and partly creative writing in that we were required to come up with our own, well, worlds. We made languages and maps and all kinds of things. My world was called AElit, and I wrote part of its holy book (the Teuchos) in actual AElitian. I came up with an extensive theology, etc. I even started writing a novel based in this world, and I hope some day to finish it. I go back and tinker with it now and then.
2. How many characters do you have? Do you prefer males or females?
How many characters do I have in what exactly? Right now I’m writing a play with two characters and a third poised to make an appearance later on.
3. How do you come up with names, for characters (and for places if you’re writing about fictional places)?
If I’ve got a character fleshed out enough, the right name will come to me. I’ll cast around for a bit until something fits. Same for places. I couldn’t begin to tell you where I came up with AElit except maybe I had been looking at a bookshelf with an old encyclopaedia and thought I’d like to use an “ae.” Or maybe it was an archaeology text. For my deities in that particular world, though, I used Greek and Latin roots. Like the goddess of death is Telamenos which, if I’m remembering right, means “ending spirit.” I recall a different Classics professor being very excited by that for some weird reason.
4. Tell us about one of your first stories/characters!
Well, you know, I started out writing stories based on movies and television shows that I liked (which is why I went into screenwriting later), so all my early characters were borrowed. Sherlock Holmes, Indiana Jones, etc. I guess one of the first stories I wrote that was original is one I sort of came up with while playing with my best friend. We were the Hemlock sisters and we solved mysteries. I was Elizabeth and my friend was Lauren, and we lived with our Aunt Miranda (“Aunt Randi”). Later I wrote a short Hemlock sisters story for a reading class. I still have it somewhere, I think.
5. By age, who is your youngest character? Oldest? How about “youngest” and “oldest” in terms of when you created them?
Good God, I don’t know. Akkad and Sekhmet are probably my youngest in terms of age; they’re just shy of 13. And Tithendion would be the oldest, since he’s basically the father of the gods. But the Hemlock sisters are oldest in terms of when they were created. And these play characters (Arthur & Dilly) are youngest, I guess.
6. Where are you most comfortable writing? At what time of day? Computer or good ol’ pen and paper?
Mostly it’s important that I be alone. Not just in the room, but the whole house should be empty. And I’ve found it difficult to write where I currently live for whatever reason, so I travel a lot to write. Mid-afternoon and late at night are best for me. As for computer or pen and paper, I do both. Sometimes it depends on the story, sometimes it depends on where I am and what I have access to.
7. Do you listen to music while you write? What kind? Are there any songs you like to relate/apply to your characters?
Music inspires me, so I get a lot of ideas from it. But that’s usually when I’m driving and listening to the radio. And there are songs that make me think of my characters. I do sometimes listen to music while writing, too, but most often I don’t.
8. What’s your favorite genre to write? To read?
I’m not sure what I write. Fantasy, I suppose, and sometimes mystery. I started a YA novel that I never finished. I’ve got a paranormal romance novella going at the moment. Which is funny because I’ve never read any paranormal romances. I do like to read mysteries and historical biographies and Regency romances. I used to read a lot of fantasy, too, but got bogged down by so much of it.
9. How do you get ideas for your characters? Describe the process of creating them.
I haven’t a clue where they come from. I usually start with a situation, I think, and populate from there.
10. What are some really weird situations your characters have been in? Everything from serious canon scenes to meme questions counts!
My fanfic characters get into way weirder situations than my original ones, but let’s assume you mean my originals. Well, Seladion and Amaurodios get kicked out of Argyros (think of angels being booted from Heaven and you have the gist), David and Andra have a past history as Greek gods, and in one of my plays two of the characters are possessed by ghosts.
11. Who is your favorite character to write? Least favorite?
I guess this depends on the project, but I often enjoy writing Seladion because he’s just so sly and can be so nasty. It’s fun. Akkad might be my least favorite, since he whines a bit.
12. In what story did you feel you did the best job of worldbuilding? Any side-notes on it you’d like to share?
Oh, the AElit stuff by far. I trenched in and created something very complex there. A whole other language, in fact, and snippets of their literature (plays, prayers, inscriptions).
13. What’s your favorite culture to write, fictional or not?
It’s funny because AElit isn’t actually my favorite culture to write, which may be why I haven’t finished it yet. I’m having fun with the film set culture in “The K-Pro.” And I also like setting things in ancient times, Greece and Rome and Egypt.
14. How do you map out locations, if needed? Do you have any to show us?
I have a map of AElit but there’s no digital file.
15. Midway question! Tell us about a writer you admire, whether professional or not!
I like a lot of Neil Gaiman’s work. Stephen King, too. These guys know how to tell a compelling story.
16. Do you write romantic relationships? How do you do with those, and how “far” are you willing to go in your writing? 😉
I write attraction. I write sexual tension. And sometimes there’s even some actual sex, though I’m of the pan-the-camera-away type, so my readers usually only get a taste of the foreplay and the aftermath.
17. Favorite protagonist and why!
Of mine? “The K-Pro” has two protagonists, and I like them both because they are very real but also just slightly unreal. Being incarnations of Greek gods does that to a person, I suppose.
18. Favorite antagonist and why!
Him in “Warm Bodies” maybe. There’s something weirdly malicious about him . . . It’s a short play, but I could see taking that character and doing some more with him.
19. Favorite minor that decided to shove himself into the spotlight and why!
Alfred in “The K-Pro.” He was just going to be a funny but annoying co-star but he’s been given a bigger role than I originally planned.
20. What are your favorite character interactions to write?
Banter. I’m a dialogue person (screenwriting again, and now playwriting I suppose). And I’m good at character-driven interpersonal relationships.
21. Do any of your characters have children? How well do you write them?
Some of my characters are children. They’re definitely more difficult to write. I have to think about what I liked and did at that age and hope I don’t sound dumb.
22. Tell us about one scene between your characters that you’ve never written or told anyone about before! Serious or not.
I can only think of fanfic scenes I scrapped. Like Sherlock’s first encounter with Charles Whitcombe–I had to know in order to write the rest of that story, but I never actually wrote the mental scene I came up with. Or there was a scene with Sherlock and John in a church, and Sherlock gives John his coat because John is cold and his jacket isn’t heavy enough.
23. How long does it usually take you to complete an entire story—from planning to writing to posting (if you post your work)?
Depends on the story. Some come fast and some have taken years (and continue to take years).
24. How willing are you to kill your characters if the plot so demands it? What’s the most interesting way you’ve killed someone?
I don’t have a problem with killing a character off, even a major one. Writers have to be fearless in that way, and be willing to go where the story demands. That said, I’m not sure I’ve had any especially interesting deaths.
25. Do any of your characters have pets? Tell us about them.
In my unfinished YA novel, there was a cat named Nacho.
26. Let’s talk art! Do you draw your characters? Do others draw them? Pick one of your OCs and post your favorite picture of him!
Oh no. I can’t draw. I’ve tried, and I dearly wish I could–I even took classes. My brain just doesn’t work that way, though; what I see comes out as words not pictures. So instead I cast my characters. For example, Dixon in “20 August” was a young Ewan McGregor.
27. Along similar lines, do appearances play a big role in your stories? Tell us about them, or if not, how you go about designing your characters.
Well, I mean, I describe my characters but I try not to belabor the point. I don’t know how it is for most people, but when I start reading a book, I almost immediately formulate mental pictures of the characters on my own, often regardless to what the author has written. So unless it’s just that important that he or she look a certain way, I touch on it and move on. Though I do like eyes. I’ll often talk about someone’s eyes.
28. Have you ever written a character with physical or mental disabilities? Describe them, and if there’s nothing major to speak of, tell us a few smaller ones.
Oh, I’ve written people who walk with canes or something. Nothing major.
29. How often do you think about writing? Ever come across something IRL that reminds you of your story/characters?
I think about my characters and stories a lot. While driving, when a song reminds me of them, when I see or hear or read something in the news I think I can use . . . In stores I’ll walk past clothes and think, so-and-so would wear that, or I smell cologne and think, he’d smell like that. I feel like it’s important to know these things, to know my characters intimately.